Andrzej Gudanski (1979) - Relief, Reverie






Είναι κάτοχος πτυχίου στην ιστορία της τέχνης και μεταπτυχιακού τίτλου στη διαχείριση τεχνών και πολιτισμού.
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Relief, Reverie είναι relief γλυπτό του Andrzej Gudanski (2026), κομμένο από σημύδα, συγκολλημένο με ρητίνες, χειροποίητα βαμμένο με ακρυλικά χρώματα και βερνικωμένο, υπογεγραμμένο επί πλάκας, διαστάσεων 58 × 17 × 2 cm, χώρα καταγωγής Πολωνία, σε εξαιρετική κατάσταση, με πιστοποιητικό γνησιότητας.
Περιγραφή από τον πωλητή
Relief, cut from birch wood, materials used are glues and resins. Hand painted with acrylic paints, varnished ready to hang.
The sculpture comes with certificate of authenticity by,, Andrzej Gudanski "
The sculpture comes from period 2026
Andrzej Gudanski, thanks to indubitable talent and creative sensitivity, and by enormous diligence, presents himself today as a mature, already fully formed artist. He has developed his own and unique style. An artist - a child of an era in which voices of the end of history were heard, and in the art the post-modern currents have won - presents different vision of surrounding him reality. What is real cooperates with that what is imagined. The artist seems to have fun at the unusual, wonderful and absurd. It is impossible to distinguish between the serious and the frivolous. In his poetic and allegorical paintings the artist has deeply sketched drama of modern man and his complicated existence.
Ιστορία πωλητή
Relief, cut from birch wood, materials used are glues and resins. Hand painted with acrylic paints, varnished ready to hang.
The sculpture comes with certificate of authenticity by,, Andrzej Gudanski "
The sculpture comes from period 2026
Andrzej Gudanski, thanks to indubitable talent and creative sensitivity, and by enormous diligence, presents himself today as a mature, already fully formed artist. He has developed his own and unique style. An artist - a child of an era in which voices of the end of history were heard, and in the art the post-modern currents have won - presents different vision of surrounding him reality. What is real cooperates with that what is imagined. The artist seems to have fun at the unusual, wonderful and absurd. It is impossible to distinguish between the serious and the frivolous. In his poetic and allegorical paintings the artist has deeply sketched drama of modern man and his complicated existence.
