Escuela Cuzqueña (XI - Arcangel Arcabucero





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Arcangel Arcabucero είναι ένα πίνακας σε λάδι πάνω σε καμβά του 19ου αιώνα από το Περού, απεικονίζει θρησκευτικό αρχάγγελο σε κλασικό στυλ, με κάδρο.
Περιγραφή από τον πωλητή
Intriguing painting representing an arquebusier archangel, characteristic iconography of South American viceroyal art, especially developed in the Cusco School sphere during the XVII and XVIII centuries.
The figure stands upright, facing forward, bearing an arquebus and dressed with rich attire inspired by European courtly fashion, adorned with abundant ornamental motifs.
This type of representations combines Christian symbolic elements with influences from Spanish Baroque aesthetics, reinterpretations by local workshops.
The work stands out for its decorative character, the use of warm tones and the application of gold details in the textiles.
The treatment of the face, with idealized features, together with the hieratic composition and the absence of academic perspective, are common traits within this artistic production.
This type of pieces tended to form part of devotional series of armed angels, highly valued in the colonial realm.
Ficha técnica
Autor: Anónimo
Escuela / origen: Entorno de la Escuela Cuzqueña (Virreinato del Perú)
Cronología: Siglo XIX (aprox.)
Técnica: Óleo sobre lienzo
Soporte: Lienzo sobre bastidor de madera
Medidas: (56x42) con marco
Marco: Madera tallada y dorada, probablemente posterior
Firma: No visible
Intriguing painting representing an arquebusier archangel, characteristic iconography of South American viceroyal art, especially developed in the Cusco School sphere during the XVII and XVIII centuries.
The figure stands upright, facing forward, bearing an arquebus and dressed with rich attire inspired by European courtly fashion, adorned with abundant ornamental motifs.
This type of representations combines Christian symbolic elements with influences from Spanish Baroque aesthetics, reinterpretations by local workshops.
The work stands out for its decorative character, the use of warm tones and the application of gold details in the textiles.
The treatment of the face, with idealized features, together with the hieratic composition and the absence of academic perspective, are common traits within this artistic production.
This type of pieces tended to form part of devotional series of armed angels, highly valued in the colonial realm.
Ficha técnica
Autor: Anónimo
Escuela / origen: Entorno de la Escuela Cuzqueña (Virreinato del Perú)
Cronología: Siglo XIX (aprox.)
Técnica: Óleo sobre lienzo
Soporte: Lienzo sobre bastidor de madera
Medidas: (56x42) con marco
Marco: Madera tallada y dorada, probablemente posterior
Firma: No visible

