Stefano Nurra (XX) - Gioco sospeso





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Stefano Nurra, Gioco sospeso, περιορισμένη έκδοση 2026 σε κιμωλία και ακρυλικό σε καμβά, 35 x 25 cm (500 g), χειρόγραφα υπογεγραμμένο και πωλείται απευθείας από τον καλλιτέχνη, σε λευκά, μαύρα και μπλε τόνους πάνω σε cobalt φόντο με σύνθεση αιωρούμενων μπλοκ.
Περιγραφή από τον πωλητή
Το έργο unfolds as an imaginary polyptych enclosed in a single canvas, where three raised, textured blocks float on a cobalt background, evoking the fragmented geometry of a tennis court. Once again, it is matter that dictates the rhythm: the central and peripheral rectangles emerge from the surface with irregular, paste-like edges, as if patches of color torn from reality. The white lines, clean and rigorous, not only delimit the playing space but act as optical guides that lead the eye across the canvas. The beating heart of the work is the insertion of microscopic human figures, rendered with an almost calligraphic precision. Bottom left, a player in white is caught in the tense, charged anticipation of a serve; top right, a mirrored figure seems to float in the blue void. This contrast between the immensity of the abstract field and the fragility of the human silhouettes transforms the sporting event into an existential metaphor: the game becomes solitude, concentration, and temporal suspension. The choice of blue is not accidental: it evokes a deep psychological dimension, turning the tennis court into an ocean or a night sky. It is a work that lives on silence and waiting, where the physicality of painting (so dense it can be touched) clashes with the conceptual abstraction of emptiness. A piece of rare elegance that manages to elevate the playful element, bringing it to a purely poetic plane.
Το έργο unfolds as an imaginary polyptych enclosed in a single canvas, where three raised, textured blocks float on a cobalt background, evoking the fragmented geometry of a tennis court. Once again, it is matter that dictates the rhythm: the central and peripheral rectangles emerge from the surface with irregular, paste-like edges, as if patches of color torn from reality. The white lines, clean and rigorous, not only delimit the playing space but act as optical guides that lead the eye across the canvas. The beating heart of the work is the insertion of microscopic human figures, rendered with an almost calligraphic precision. Bottom left, a player in white is caught in the tense, charged anticipation of a serve; top right, a mirrored figure seems to float in the blue void. This contrast between the immensity of the abstract field and the fragility of the human silhouettes transforms the sporting event into an existential metaphor: the game becomes solitude, concentration, and temporal suspension. The choice of blue is not accidental: it evokes a deep psychological dimension, turning the tennis court into an ocean or a night sky. It is a work that lives on silence and waiting, where the physicality of painting (so dense it can be touched) clashes with the conceptual abstraction of emptiness. A piece of rare elegance that manages to elevate the playful element, bringing it to a purely poetic plane.

