Anna Bila - Electric Garden






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Electric Garden της Άννας Μίλα, 2026, πρωτότυπο έργο σεmixed media σε καμβά (100 x 100 εκ.), χειρόγραφο υπογραφή, σε άριστη κατάσταση, φυσικό στοιχείο σε αφηρημένο εξπρεσιονισμό.
Περιγραφή από τον πωλητή
Abstract composition created with inks and pigments on canvas. Vertical flowing forms resemble plants, signals, or figures emerging from color and dissolving back into it. The contrast of deep turquoise, luminous yellow, soft pink, and violet tones creates a sense of inner movement, energy, and quiet transformation.
Medium: acrilyc and ink on canvas
Shipping: rolled without stretcher, requires professional mounting.
Anna Bila is an Ukrainian artist whose work explores themes of childhood, adolescence, memory, and the perception of the past — not as something static, but as something continuously reinterpreted through the lens of the present. Nature in her paintings serves not only as a visual motif, but also as a source of emotion, states of mind, and reflection.
Her portraits are not aimed at achieving physical resemblance, but rather at conveying an emotional connection with the depicted figure — whether it's a close acquaintance or a fleeting stranger.
Her artistic style ranges from controlled, precise technique to experimental painting, where the spontaneous flow of pigment plays a key role. The works become a space for dialogue - both with herself and with the viewer.
The artist has participated in solo and group exhibitions in Ukraine, Italy, and Germany
Abstract composition created with inks and pigments on canvas. Vertical flowing forms resemble plants, signals, or figures emerging from color and dissolving back into it. The contrast of deep turquoise, luminous yellow, soft pink, and violet tones creates a sense of inner movement, energy, and quiet transformation.
Medium: acrilyc and ink on canvas
Shipping: rolled without stretcher, requires professional mounting.
Anna Bila is an Ukrainian artist whose work explores themes of childhood, adolescence, memory, and the perception of the past — not as something static, but as something continuously reinterpreted through the lens of the present. Nature in her paintings serves not only as a visual motif, but also as a source of emotion, states of mind, and reflection.
Her portraits are not aimed at achieving physical resemblance, but rather at conveying an emotional connection with the depicted figure — whether it's a close acquaintance or a fleeting stranger.
Her artistic style ranges from controlled, precise technique to experimental painting, where the spontaneous flow of pigment plays a key role. The works become a space for dialogue - both with herself and with the viewer.
The artist has participated in solo and group exhibitions in Ukraine, Italy, and Germany
