Baptiste Laurent - Les Trois métamorphoses

03
ημέρες
16
ώρες
07
λεπτά
05
δευτερόλεπτα
Τρέχουσα προσφορά
€ 220
Τιμή επιφύλαξης δεν επιτεύχθηκε
Giulia Resti
Ειδικός
Εκτίμηση γκαλερί  € 2,500 - € 3,000
14 άλλα άτομα παρακολουθούν αυτό το αντικείμενο
ES
220 €
ES
200 €
ES
190 €

Προστασία Αγοραστή Catawiki

Η πληρωμή σας είναι ασφαλής μαζί μας μέχρι να παραλάβετε το αντικείμενό σας.Προβολή λεπτομερειών

Trustpilot 4.4 | 135881 κριτικών

Βαθμολογήθηκε με Άριστα στο Trustpilot.

Baptiste Laurent, Les Trois métamorphoses, 2015, μαρκαδόρος σε χαρτί, πρωτότυπη έκδοση, 150 × 110 cm, χειρόγραφο υπογραφεί, Ισπανία, περίοδος 2010–2020, πωλείται από Galería.

Περίληψη με τη βοήθεια τεχνητής νοημοσύνης

Περιγραφή από τον πωλητή

"Les Trois métamorphoses", 150x110cm, acrylic on paper, 2015.
Signed on back. Sold unframed, shipped rolled.

Bio artiste/
Baptiste Laurent (1980, Nantes) is a visual artist who live and work
in Madrid and Paris.
He has exhibited at various artistic and cultural institutions,
including the Institut français de Madrid, Le Palais de Tokyo, Galeria
La Caja, Esquina Nua, Espacio Seara, Gazzambo Gallery, Alliance
française, Museo Nacional de Antropología, Galeria FL.
His traditional medium is painting, but he also works in sculpture
and develops projects with a strong literary, social and
anthropological component.
In his latest publications and exhibitions, "Conversaciones y
puñetazos", "Mauvaises Tournures", "Bajo el Mismo Mar" and "Exit",
he has repeatedly experimented with collaborative creative work
with other visual artists and literary authors.
As an anti-academic and eclectic artist, he likes to syncretise
pictorial styles, oscillating between neo-figurative narrative, graphic
painting and expressionist abstraction.
Founder of the 'Latolier' shared studio in Madrid's Usera district, he
leads a dynamic community of Spanish and international visual
artists.

Ibere Nation Serie: First obsession: filling the surface mechanically and cold with a basic work criterion. With a graphic element of the most elementary, a stroke with marker, from left to right, from top to bottom, until the lines cover the surface. The purpose is to fill everything, and the criterion is to do it in the least rigid way to reach a complete surface. The process is carried out with the greatest application, starting from an intuitive line, by freehand. No matter how careful it is. it leaves room for failure. Repeating until filling the frame, and assuming errors, allows me to enter a mental state that is particularly empty, but concentrated, or in a state of true scratch. Second obsession after a long and hard winter, between physical hibernation and intellectual boredom, what better for me than reading the speeches of Zarathustra down his mountain? Write them! The succession of letters and words without spaces turns out to be the most elementary graphic from to put in tune with my first obsession. Odd way to read Nietzsche writing it. Zarathustra’s speeches deserve to be read again and again as a parable told by the prophet. Thus spoke Zarathustra is also a parody of religious texts. Animal metaphors and the solemn speech of Zarathustra do not seem easy to understand in a first reading. But what is clear is that Nietzsche tries to present to the world a new ethic. In front of a world in crisis or asleep where god has died, and propose to man a way out of what anesthetized state, the opportunity to overcome that void by becoming a superman. For me it turned out to be a very interesting exercise, both in the form that serves as a vehicle and in the content of the message. Emerged from an empty moment, in a long winter, of a Spain crisis, I found it tempting to put this series on the title of Ibère Nation."

"Les Trois métamorphoses", 150x110cm, acrylic on paper, 2015.
Signed on back. Sold unframed, shipped rolled.

Bio artiste/
Baptiste Laurent (1980, Nantes) is a visual artist who live and work
in Madrid and Paris.
He has exhibited at various artistic and cultural institutions,
including the Institut français de Madrid, Le Palais de Tokyo, Galeria
La Caja, Esquina Nua, Espacio Seara, Gazzambo Gallery, Alliance
française, Museo Nacional de Antropología, Galeria FL.
His traditional medium is painting, but he also works in sculpture
and develops projects with a strong literary, social and
anthropological component.
In his latest publications and exhibitions, "Conversaciones y
puñetazos", "Mauvaises Tournures", "Bajo el Mismo Mar" and "Exit",
he has repeatedly experimented with collaborative creative work
with other visual artists and literary authors.
As an anti-academic and eclectic artist, he likes to syncretise
pictorial styles, oscillating between neo-figurative narrative, graphic
painting and expressionist abstraction.
Founder of the 'Latolier' shared studio in Madrid's Usera district, he
leads a dynamic community of Spanish and international visual
artists.

Ibere Nation Serie: First obsession: filling the surface mechanically and cold with a basic work criterion. With a graphic element of the most elementary, a stroke with marker, from left to right, from top to bottom, until the lines cover the surface. The purpose is to fill everything, and the criterion is to do it in the least rigid way to reach a complete surface. The process is carried out with the greatest application, starting from an intuitive line, by freehand. No matter how careful it is. it leaves room for failure. Repeating until filling the frame, and assuming errors, allows me to enter a mental state that is particularly empty, but concentrated, or in a state of true scratch. Second obsession after a long and hard winter, between physical hibernation and intellectual boredom, what better for me than reading the speeches of Zarathustra down his mountain? Write them! The succession of letters and words without spaces turns out to be the most elementary graphic from to put in tune with my first obsession. Odd way to read Nietzsche writing it. Zarathustra’s speeches deserve to be read again and again as a parable told by the prophet. Thus spoke Zarathustra is also a parody of religious texts. Animal metaphors and the solemn speech of Zarathustra do not seem easy to understand in a first reading. But what is clear is that Nietzsche tries to present to the world a new ethic. In front of a world in crisis or asleep where god has died, and propose to man a way out of what anesthetized state, the opportunity to overcome that void by becoming a superman. For me it turned out to be a very interesting exercise, both in the form that serves as a vehicle and in the content of the message. Emerged from an empty moment, in a long winter, of a Spain crisis, I found it tempting to put this series on the title of Ibère Nation."

Λεπτομέρειες

Καλλιτέχνης
Baptiste Laurent
Πωλήθηκε με κορνίζα
Όχι
Πωλείται από
Γκαλερί
Έκδοση
Αυθεντικό
Τίτλος έργου τέχνης
Les Trois métamorphoses
Τεχνική
Ακρυλικό, Μαρκαδοράκι
Υπογραφή
Υπογεγραμμένο χειρόγραφα
Χώρα
Ισπανία
Έτος
2015
Κατάσταση
Καλή κατάσταση
Height
150 cm
Width
110 cm
Βάρος
3 kg
Απεικόνιση/θέμα
Ζώα
Style
Ναΐφ τέχνη
Περίοδος
2010-2020
Πωλήθηκε από τον/-ην
ΙσπανίαΕπαληθεύτηκε
37
Πουλημένα αντικείμενα
100%
pro

Παρόμοια αντικείμενα

Προτείνεται για εσάς στην

Μοντέρνα και σύγχρονη τέχνη