TAKEHISA YUMEJI • Mountain Lake • Ιαπωνική ξυλογραφία - Ιαπωνία - 20th century






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Takehisa Yumeji Mountain Lake είναι αυθεντικό ιαπωνικό ξυλογραφικό mokuhanga έργο που αποδίδεται στον Takehisa Yumeji, χρονολογείται περίπου 1978–1980 σύμφωνα με σχέδιο του Taishō, εκδότης Kyoto Hanga-in, σε εξαιρετική κατάσταση, διαστάσεις περίπου 45 × 35 cm, προέλευση ιδιωτική συλλογή.
Περιγραφή από τον πωλητή
Artist: Takehisa Yumeji (竹久夢二, 1884–1934)
Title: Mountain Lake
Series: 竹久夢二木版画集 — A Collection of Takehisa Yumeji's Pictures in Woodblock Print
Technique: Woodblock print (mokuhanga), polychrome with soft bokashi shading
Date: c. 1978–1980 (after an early-20th-century Taishō painting design)
Publisher: Kyoto Hanga-in (京都版画院)
Format: Large format — ca. 49.5 x 38.5 cm
Signature & Seals: Title inscribed and Yumeji signature with red seal at lower left; series title and publisher seal (京都版画院版) in the margins; carver and printer seals at left
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IMPRESSION & COLOUR
A delicately printed sheet built almost entirely in soft, unsaturated tones.
PAPER & CONDITION
Excellent. The sheet is intact.
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The Scene
A two-panel landscape printed together on a single sheet, in the loose, painterly manner that made Yumeji the great romantic of the Taishō age. Right panel: a solitary gentleman in Western dress — silk top hat, overcoat and walking stick — stands on the shore beneath a sinuous flowering tree, gazing across the water to a conical peak (Mt. Haruna) under a low, wind-streaked sky. Left panel: the broader lake, glassy and still, with a lone angler in a small boat and pale mountains beyond, one slope washed in deep blue. The muted palette of greys, soft blues and earth-browns, with the woodgrain (mokume) left visible in sky and water, gives the whole an atmospheric, melancholic calm.
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The Series
This sheet shows Yumeji's signature subject at its most characteristic: the wistful, slender "Yumeji-shiki bijin" — a type modelled in large part on his first wife Tamaki — caught in a quiet moment beneath blossoming plum, a wicker basket cradled in her arms. These images of women with large, melancholy eyes had a major influence on the world of Japanese art, and the pairing of a solitary beauty with ume blossom — one of the most loaded seasonal motifs in Japanese painting, signalling quiet resilience and the first stirrings of spring — sits comfortably within the lyrical, Taishō-romantic mood for which Yumeji remains best known.
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Takehisa Yumeji — Poet of the Taishō Beauty
Takehisa Yumeji (1884–1934) was the leading artist-illustrator of Japan's Taishō era, and a poet and songwriter besides. His romantic portraits of slender, languid young women — drawn with expressive line and a wistful, almost childlike air — were enormously popular, and he designed prints, covers, and illustrations for newspapers, women's magazines, and books. The look became known simply as "Yumeji-style" beauty.
There was little interest in his work abroad during his lifetime, but in the decades since his death Yumeji's images have been keenly sought by collectors. A museum devoted to him stands in Okayama, his birthplace.
Ιστορία πωλητή
Artist: Takehisa Yumeji (竹久夢二, 1884–1934)
Title: Mountain Lake
Series: 竹久夢二木版画集 — A Collection of Takehisa Yumeji's Pictures in Woodblock Print
Technique: Woodblock print (mokuhanga), polychrome with soft bokashi shading
Date: c. 1978–1980 (after an early-20th-century Taishō painting design)
Publisher: Kyoto Hanga-in (京都版画院)
Format: Large format — ca. 49.5 x 38.5 cm
Signature & Seals: Title inscribed and Yumeji signature with red seal at lower left; series title and publisher seal (京都版画院版) in the margins; carver and printer seals at left
------------------------------------------------------------------
IMPRESSION & COLOUR
A delicately printed sheet built almost entirely in soft, unsaturated tones.
PAPER & CONDITION
Excellent. The sheet is intact.
------------------------------------------------------------------
The Scene
A two-panel landscape printed together on a single sheet, in the loose, painterly manner that made Yumeji the great romantic of the Taishō age. Right panel: a solitary gentleman in Western dress — silk top hat, overcoat and walking stick — stands on the shore beneath a sinuous flowering tree, gazing across the water to a conical peak (Mt. Haruna) under a low, wind-streaked sky. Left panel: the broader lake, glassy and still, with a lone angler in a small boat and pale mountains beyond, one slope washed in deep blue. The muted palette of greys, soft blues and earth-browns, with the woodgrain (mokume) left visible in sky and water, gives the whole an atmospheric, melancholic calm.
------------------------------------------------------------------
The Series
This sheet shows Yumeji's signature subject at its most characteristic: the wistful, slender "Yumeji-shiki bijin" — a type modelled in large part on his first wife Tamaki — caught in a quiet moment beneath blossoming plum, a wicker basket cradled in her arms. These images of women with large, melancholy eyes had a major influence on the world of Japanese art, and the pairing of a solitary beauty with ume blossom — one of the most loaded seasonal motifs in Japanese painting, signalling quiet resilience and the first stirrings of spring — sits comfortably within the lyrical, Taishō-romantic mood for which Yumeji remains best known.
------------------------------------------------------------------
Takehisa Yumeji — Poet of the Taishō Beauty
Takehisa Yumeji (1884–1934) was the leading artist-illustrator of Japan's Taishō era, and a poet and songwriter besides. His romantic portraits of slender, languid young women — drawn with expressive line and a wistful, almost childlike air — were enormously popular, and he designed prints, covers, and illustrations for newspapers, women's magazines, and books. The look became known simply as "Yumeji-style" beauty.
There was little interest in his work abroad during his lifetime, but in the decades since his death Yumeji's images have been keenly sought by collectors. A museum devoted to him stands in Okayama, his birthplace.
