Αποδίδεται στον Χοκουσάι — Καταρράκτης σε δασώδη κορυφή — Διπλή σελίδα από το Sansui Gacho — - Ιαπωνία - Edo Period (1600-1868)






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Ιαπωνία, περίοδος Έντο, αυθεντικό ξυλογραφημένο έργο αποδίδεται στον Katsushika Hokusai, Waterfall on a Wooded Peak, διπλή σελίδα από Sansui Gachō, Νααγκόια, 1835, διαστάσεις 22 × 32 εκ., σε καλή κατάσταση.
Περιγραφή από τον πωλητή
Artist: Attributed to Katsushika Hokusai (葛飾北斎, 1760–1849); so catalogued by the Victoria and Albert Museum, London
Title: Untitled landscape — waterfall on a wooded peak
Source: Sansui Gachō (山水画帖, "Illustrated Album of Landscapes"), woodblock-printed book
Source: Sansui Gacho ("Illustrated Album of Landscapes"), woodblock-printed book
https://www.bakumatsuya.com/shop-description.php?ID=1534451033&La=E
https://collections.vam.ac.uk/item/O488551/sansui-gacho-book-katsushika-hokusai/
Technique: Woodblock print, ink and colour on paper
Date: 1835
Publisher: Kōgetsudō Bunsuke, Nagoya
Format: Double book page (two conjoined leaves), approx. 15.7 × 22.6 cm per page
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Condition
Fair condition. The whole sheet presents well with some soiling and toning. Please check the images!
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About the print
A quiet mountain scene from Sansui Gachō, an album of landscape designs published in Nagoya in 1835. The right-hand leaf is given almost entirely to a single rounded peak, its slope printed in soft grey gradation and crowned with dark blue-green clumps of foliage; from beneath the trees a slender waterfall drops in several strands down the full height of the page. Across the gutter the eye travels outward instead of upward — thatched farmhouses sheltered by pines, then blue hills, then flat bands of mist over open water. It is a composition built on the oldest premise of sansui painting, "mountain and water," but handled with the economy of a printed album page.
The palette is almost entirely blue against the warm tone of the paper, with only the faintest earth colour on the walls of the houses — the restrained, blue-dominant manner associated with Hokusai's landscape work of these same years. A copy of this album is held in the Victoria and Albert Museum, where the artist is catalogued as Katsushika Hokusai; Nagoya was a long-standing stronghold of the Hokusai school, and the 1835 date falls squarely within the master's great landscape period.
Ιστορία πωλητή
Artist: Attributed to Katsushika Hokusai (葛飾北斎, 1760–1849); so catalogued by the Victoria and Albert Museum, London
Title: Untitled landscape — waterfall on a wooded peak
Source: Sansui Gachō (山水画帖, "Illustrated Album of Landscapes"), woodblock-printed book
Source: Sansui Gacho ("Illustrated Album of Landscapes"), woodblock-printed book
https://www.bakumatsuya.com/shop-description.php?ID=1534451033&La=E
https://collections.vam.ac.uk/item/O488551/sansui-gacho-book-katsushika-hokusai/
Technique: Woodblock print, ink and colour on paper
Date: 1835
Publisher: Kōgetsudō Bunsuke, Nagoya
Format: Double book page (two conjoined leaves), approx. 15.7 × 22.6 cm per page
----------------------------------------------------------------
Condition
Fair condition. The whole sheet presents well with some soiling and toning. Please check the images!
-------------------------------------------------------
About the print
A quiet mountain scene from Sansui Gachō, an album of landscape designs published in Nagoya in 1835. The right-hand leaf is given almost entirely to a single rounded peak, its slope printed in soft grey gradation and crowned with dark blue-green clumps of foliage; from beneath the trees a slender waterfall drops in several strands down the full height of the page. Across the gutter the eye travels outward instead of upward — thatched farmhouses sheltered by pines, then blue hills, then flat bands of mist over open water. It is a composition built on the oldest premise of sansui painting, "mountain and water," but handled with the economy of a printed album page.
The palette is almost entirely blue against the warm tone of the paper, with only the faintest earth colour on the walls of the houses — the restrained, blue-dominant manner associated with Hokusai's landscape work of these same years. A copy of this album is held in the Victoria and Albert Museum, where the artist is catalogued as Katsushika Hokusai; Nagoya was a long-standing stronghold of the Hokusai school, and the 1835 date falls squarely within the master's great landscape period.
