No. 81866603

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Stefanie Schneider - Field of Briar III (Sidewinder)
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€ 55
2 weeks ago

Stefanie Schneider - Field of Briar III (Sidewinder)

Field of Briar III (Sidewinder) Edition 2/10, 20x24cm. Archival C-Print, based on the original Polaroid. Excellent condition. Signature label and Certificate. Artist Inventory#3141.09. Not mounted. Sidewinder - private history turned into an intimate mythology of elemental fantasies where reality is perceived through a veil of psychedelic memories and unconscious projections. such is a collection of passions and dreams, an uncanny diary of ephemeral narratives and mental intensities in Stefanie Schneider’s painterly photographs where subjectivity of an ontological doubt uses a poetics of pastische as a vehicle for an intertextual journey towards the truth and the authenticity of primary emotions. here time is immersed in a nostalgic suspense of oneiric dimension, a sort of ambiguous coma of silence and comfort, and open space embraces a psychotic landscape of solitude and accidental pleasure. fetishisized surface of extreme feelings gives a stage for an unsolicited promise of unconditional love and unlimited freedom, a promise framed by sensual tension between fulfillment and expectation. Adam Budak, Kunsthaus Graz, Oct 2005

No. 81866603

Sold
Stefanie Schneider - Field of Briar III (Sidewinder)

Stefanie Schneider - Field of Briar III (Sidewinder)

Field of Briar III (Sidewinder)

Edition 2/10,
20x24cm.
Archival C-Print, based on the original Polaroid.
Excellent condition.
Signature label and Certificate.
Artist Inventory#3141.09.
Not mounted.


Sidewinder -

private history turned into an intimate mythology of elemental fantasies where reality is perceived through a veil of psychedelic memories and unconscious projections. such is a collection of passions and dreams, an uncanny diary of ephemeral narratives and mental intensities in Stefanie Schneider’s painterly photographs where subjectivity of an ontological doubt uses a poetics of pastische as a vehicle for an intertextual journey towards the truth and the authenticity of primary emotions. here time is immersed in a nostalgic suspense of oneiric dimension, a sort of ambiguous coma of silence and comfort, and open space embraces a psychotic landscape of solitude and accidental pleasure. fetishisized surface of extreme feelings gives a stage for an unsolicited promise of unconditional love and unlimited freedom, a promise framed by sensual tension between fulfillment and expectation.


Adam Budak, Kunsthaus Graz, Oct 2005

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