N.º 81883993

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Nobuyoshi Araki - Tokyo Diary 1981 - 1995 - 1987
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Nobuyoshi Araki - Tokyo Diary 1981 - 1995 - 1987

Tokyo Diary 1981 - 1995 Nobuyoshi Araki Byakuya-shobo /1987/210*298*10/Japanese This book, "Tokyo Diary 1981 - 1995," was an extra issue of the May 1987 issue of the photography magazine "Shashin Jidai" and took the form of a collection of Nobuyoshi Araki's photographs. The Shashin Jidai was produced by editor Akira Suei, and was composed mainly of the photographs of photographer Nobuyoshi Araki. In the past, the magazine has published collections of works focusing on Nobuyoshi Araki in the form of additional issues, including "Live Nobuyoshi Araki: 2nd Anniversary Supplement" (1983), "Scenery 1981 - 1984" (1985), and "Araki's Tokyo Shokujo Nikki" (1986). This book is a continuation of Araki's customary? In this book, Araki spins his own "Tokyo (fake) diary," in which he dares to shift the camera's date setting and replaces the "present" with "future" time. At the end of the book is a text by playwright and Buddhist monk Kiyobumi Uesugi, "The Dharma of the Emperor of Insects. Uesugi was shown the evidence of the funeral of a photograph by a photograph, with Araki himself as the priest, and recorded his fantasy? is recorded.

N.º 81883993

Vendido
Nobuyoshi Araki - Tokyo Diary 1981 - 1995 - 1987

Nobuyoshi Araki - Tokyo Diary 1981 - 1995 - 1987

Tokyo Diary 1981 - 1995

Nobuyoshi Araki
Byakuya-shobo /1987/210*298*10/Japanese


This book, "Tokyo Diary 1981 - 1995," was an extra issue of the May 1987 issue of the photography magazine "Shashin Jidai" and took the form of a collection of Nobuyoshi Araki's photographs. The Shashin Jidai was produced by editor Akira Suei, and was composed mainly of the photographs of photographer Nobuyoshi Araki. In the past, the magazine has published collections of works focusing on Nobuyoshi Araki in the form of additional issues, including "Live Nobuyoshi Araki: 2nd Anniversary Supplement" (1983), "Scenery 1981 - 1984" (1985), and "Araki's Tokyo Shokujo Nikki" (1986). This book is a continuation of Araki's customary? In this book, Araki spins his own "Tokyo (fake) diary," in which he dares to shift the camera's date setting and replaces the "present" with "future" time. At the end of the book is a text by playwright and Buddhist monk Kiyobumi Uesugi, "The Dharma of the Emperor of Insects. Uesugi was shown the evidence of the funeral of a photograph by a photograph, with Araki himself as the priest, and recorded his fantasy? is recorded.

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