Emile Bernard (1868-1941) - La Vierge aux Saintes





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Emile Bernard, La Vierge aux Saintes, a 1895 Neo-Impressionism woodcut print from France, measuring 56 × 40 cm, plate-signed and in good condition with foxing on the sheet.
Description from the seller
Emile Bernard - La Vierge aux Saintes ou Les jeunes filles t'ont aimé
Original woodcut created in 1895 in Cairo, Egypt.
Signed
Total dimensions: 56 x 40.5 cm.
Beige laid paper with watermark (see photo 12)
The woodcut print is in good condition, but the sheet is spots (foxing). Please look at the pictures carefully.
Ship worldwide with tracking and insured shipping.
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Émile Henri Bernard (1868–1941) was a French Post-Impressionist painter and writer, who had artistic friendships with Vincent van Gogh, Paul Gauguin and Eugène Boch, and at a later time, Paul Cézanne. Most of his notable work was accomplished at a young age, in the years 1886 through 1897. He is also associated with Cloisonnism and Synthetism, two late 19th-century art movements. Less known is Bernard's literary work, comprising plays, poetry, and art criticism as well as art historical statements that contain first-hand information on the crucial period of modern art to which Bernard had contributed.
Emile Bernard - La Vierge aux Saintes ou Les jeunes filles t'ont aimé
Original woodcut created in 1895 in Cairo, Egypt.
Signed
Total dimensions: 56 x 40.5 cm.
Beige laid paper with watermark (see photo 12)
The woodcut print is in good condition, but the sheet is spots (foxing). Please look at the pictures carefully.
Ship worldwide with tracking and insured shipping.
//
Émile Henri Bernard (1868–1941) was a French Post-Impressionist painter and writer, who had artistic friendships with Vincent van Gogh, Paul Gauguin and Eugène Boch, and at a later time, Paul Cézanne. Most of his notable work was accomplished at a young age, in the years 1886 through 1897. He is also associated with Cloisonnism and Synthetism, two late 19th-century art movements. Less known is Bernard's literary work, comprising plays, poetry, and art criticism as well as art historical statements that contain first-hand information on the crucial period of modern art to which Bernard had contributed.

