Inna Etuvgi - VESSEL - Catawiki Special Edition





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Description from the seller
器
イナ・エツフギによるファインアート写真プリント
牡丹の花の深さ、花弁の柔らかなひだの中に――官能の器がある。
* 春コレクションの肖像。
ABOUT THE PRINT:
* 種別: オリジナル・ファインアート・プリント(マクロ撮影)
* 画像サイズ: 26 x 39 cm
* 用紙サイズ: 30.5 x 43 cm
* 紙: アーカイバル・ミュージアム品質の紙、100% コットン、300gsm
* 版数: 1/25
* 真正性: 作者の署名・番号入り; 真正証明書を同梱。
* 状態: 新品、スウェーデンのアーティストスタジオから直送。
OPTIONAL — MAT & READY-TO-FRAME PREPARATION
The print ships on its own, unmatted. If you’d like, I can mount it in a custom passepartout with a backing board, tailored to fit your frame perfectly.
I use pH-neutral archival materials and a reversible mount, so the print can always be removed without damage. This is an optional paid service — just message me for the price and details.
EDITION
This work is presented in a Special Catawiki Edition (26 x 39 cm cm image on 31x43 cm paper). The artist's larger-scale Studio and Master Editions are sold through premier online galleries; this size is not available through any gallery or platform. It can only be acquired directly from the artist's studio or through selected auction releases. Produced to the same archival standards as all editions.
ABOUT THE ARTIST
Inna Etuvgi is a Swedish-Chukchi artist whose work defines the concept of Cybernetic Animism—a bridge between indigenous Arctic intuition and technical precision. Raised in a remote village in Chukotka and trained in technical cybernetics, Etuvgi explores the shared "soul" of natural ecosystems and digital algorithms.
Living with Aphantasia—the inability to visualize mental images—Etuvgi uses her camera and Generative AI as a "visual prosthesis" to externalize deep emotional landscapes. Her macro photography magnifies nature’s smallest details, urging a shift from a human-centered worldview to one of interconnectedness.
Internationally recognized as an Arte Laguna Prize finalist (Venice) and a recipient of the Swedish Arts Grants Committee grant, Etuvgi’s work is held in private collections worldwide. As art critic Tabish Khan notes: “Her work transports us to other worlds—both real and imaginary, but always in harmony with nature.”
器
イナ・エツフギによるファインアート写真プリント
牡丹の花の深さ、花弁の柔らかなひだの中に――官能の器がある。
* 春コレクションの肖像。
ABOUT THE PRINT:
* 種別: オリジナル・ファインアート・プリント(マクロ撮影)
* 画像サイズ: 26 x 39 cm
* 用紙サイズ: 30.5 x 43 cm
* 紙: アーカイバル・ミュージアム品質の紙、100% コットン、300gsm
* 版数: 1/25
* 真正性: 作者の署名・番号入り; 真正証明書を同梱。
* 状態: 新品、スウェーデンのアーティストスタジオから直送。
OPTIONAL — MAT & READY-TO-FRAME PREPARATION
The print ships on its own, unmatted. If you’d like, I can mount it in a custom passepartout with a backing board, tailored to fit your frame perfectly.
I use pH-neutral archival materials and a reversible mount, so the print can always be removed without damage. This is an optional paid service — just message me for the price and details.
EDITION
This work is presented in a Special Catawiki Edition (26 x 39 cm cm image on 31x43 cm paper). The artist's larger-scale Studio and Master Editions are sold through premier online galleries; this size is not available through any gallery or platform. It can only be acquired directly from the artist's studio or through selected auction releases. Produced to the same archival standards as all editions.
ABOUT THE ARTIST
Inna Etuvgi is a Swedish-Chukchi artist whose work defines the concept of Cybernetic Animism—a bridge between indigenous Arctic intuition and technical precision. Raised in a remote village in Chukotka and trained in technical cybernetics, Etuvgi explores the shared "soul" of natural ecosystems and digital algorithms.
Living with Aphantasia—the inability to visualize mental images—Etuvgi uses her camera and Generative AI as a "visual prosthesis" to externalize deep emotional landscapes. Her macro photography magnifies nature’s smallest details, urging a shift from a human-centered worldview to one of interconnectedness.
Internationally recognized as an Arte Laguna Prize finalist (Venice) and a recipient of the Swedish Arts Grants Committee grant, Etuvgi’s work is held in private collections worldwide. As art critic Tabish Khan notes: “Her work transports us to other worlds—both real and imaginary, but always in harmony with nature.”

