Joel Meyerowitz - Joel Meyerowitz (EARLY, RARE CATALOGUE) - 1980

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80年代初頭のJoel MeyerowitzによるEXCELLENT、SMALL、VERY EARLY CATALOGUE（1980年(!)）は非常に美しい、広く知られていない出版物です。

有名なアメリカの Magnum photographer（“Aftermath”）としても知られるJoel MeyerowitzのVERY BEAUTIFUL、WIDELY UNKNOWN PUBLICATION。

Joel Meyerowitzは1989年に Magnum Photos の正式会員となり、以降2003年から2007年まで会長を務めました。William EgglestonやStephen Shoreとともに、Joel Meyerowitzは1970年代の「New Color Photography」運動の鍵となる人物として称えられています。 Joel Meyerowitzはニューヨークの街角の日常を捉えたダイナミックで率直なショットで世界的に有名です。エージェンシーのベテラン写真家として、彼の作品と行政のリーダーシップは Magnum Photos の21世紀への道筋を形作るのに寄与してきました。

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Steidelijk Museum、アムステルダム。1980年。初版、初刷。

ソフトカバー（刊行時のまま）。210 x 275 mm。16ページ。カラー写真7点（内側6点、表紙1点）。写真：Joel Meyerowitz。デザイン：Wim Crouwel。テキスト：Els Barents。テキストはオランダ語。

状態:
内側は新鮮で欠陥なし；前所有者の印を含まず、日焼けもなし。外側は使用感が少しだけある；一部やや黄味、後冊の右上コーナーに小さな折れがあるが、内側には影響なし。全体的には良好。

Great、widely unknown Joel Meyerowitz publication。

"Joel Meyerowitz, born 1938, is an American street, portrait and landscape photographer. He began photographing in color in 1962 and was an early advocate of the use of color during a time when there was significant resistance to the idea of color photography as serious art. In the early 1970s he taught photography at the Cooper Union in New York City.
His work is in the collections of the International Center of Photography, Museum of Modern Art, and New York Public Library, all in New York, and the Museum of Contemporary Photography in Chicago.
Henri Cartier-Bresson was born in Chanteloup-en-Brie, Seine-et-Marne, France. His father was a wealthy textile manufacturer, whose Cartier-Bresson thread was a staple of French sewing kits. His mother's family were cotton merchants and landowners from Normandy, where Henri spent part of his childhood. His mother was descended from Charlotte Corday.
The Cartier-Bresson family lived in a bourgeois neighborhood in Paris, Rue de Lisbonne, near Place de l'Europe and Parc Monceau. Since his parents were providing financial support, Henri pursued photography more freely than his contemporaries. Henri also sketched.
Young Henri took holiday snapshots with a Box Brownie; he later experimented with a 3×4 inch view camera. He was raised in traditional French bourgeois fashion, and was required to address his parents with formal vous rather than tu. His father assumed that his son would take up the family business, but Henri was strong-willed and also feared this prospect.
Cartier-Bresson attended École Fénelon, a Catholic school that prepared students for the Lycée Condorcet. A governess called "Miss Kitty" who came from across the Channel, instilled in him the love of - and competence in - the English language. The proctor caught him reading a book by Rimbaud or Mallarmé, and reprimanded him, "Let's have no disorder in your studies!" Cartier-Bresson said, "He used the informal 'tu', which usually meant you were about to get a good thrashing. But he went on, 'You're going to read in my office.' Well, that wasn't an offer he had to repeat."
In early 1947, Cartier-Bresson, with Robert Capa, David Seymour, William Vandivert and George Rodger founded Magnum Photos. Capa's brainchild, Magnum was a cooperative picture agency owned by its members. The team split photo assignments among the members. Rodger, who had quit Life in London after covering World War II, would cover Africa and the Middle East. Chim, who spoke a variety of European languages, would work in Europe. Cartier-Bresson would be assigned to India and China. Vandivert, who had also left Life, would work in America, and Capa would work anywhere that had an assignment. Maria Eisner managed the Paris office and Rita Vandivert, Vandivert's wife, managed the New York office and became Magnum's first president.
Cartier-Bresson achieved international recognition for his coverage of Gandhi's funeral in India in 1948 and the last stage of the Chinese Civil War in 1949. He covered the last six months of the Kuomintang administration and the first six months of the Maoist People's Republic. He also photographed the last surviving Imperial eunuchs in Beijing, as the city was being liberated by the communists. In Shanghai, he often worked in the company of photojournalist Sam Tata, whom Cartier-Bresson had previously befriended in Bombay. From China, he went on to Dutch East Indies (Indonesia), where he documented the gaining of independence from the Dutch. In 1950, Cartier-Bresson had traveled to the South India. He had visited Tiruvannamalai, a town in the Indian State of Tamil Nadu and photographed the last moments of Ramana Maharishi, Sri Ramana Ashram and its surroundings. A few days later he also visited and photographed Sri Aurobindo, Mother and Sri Aurobindo Ashram, Pondicherry.
Magnum's mission was to "feel the pulse" of the times and some of its first projects were People Live Everywhere, Youth of the World, Women of the World and The Child Generation. Magnum aimed to use photography in the service of humanity, and provided arresting, widely viewed images."
(Wikipedia)