No. 106091955

Sold
木製の彫刻 - Bembe - DR Congo  (No reserve price)
Final bid
€ 39
No reserve price
3 weeks ago

木製の彫刻 - Bembe - DR Congo (No reserve price)

Statue of a Bembe woman, Katanga region, Congo RDC, incl stand. A female figure is characterized by strongly abbreviated proportions, with very short legs and a compact, vertically concentrated body. The arms are closely held against the torso, bent at the elbows and ending without fully articulated hands, a formal reduction that emphasizes volume and silhouette over anatomical detail. This restrained treatment of the limbs contributes to the figure’s sense of inwardness and sculptural concentration. The face is defined by inlaid eyes, which introduces a striking contrast between the polished wood surface and the reflective material of the eyes. This feature enhances the figure’s sense of presence and animation, especially in ritual or domestic contexts where such sculptures may function as spiritual intermediaries or commemorative objects. The surface is covered with a brown patina in varied tonalities, suggesting age, handling, and possible ritual application of oils or pigments over time. The overall composition is compact and balanced, with emphasis placed on the torso and head as the primary zones of expression. The abbreviated legs and tightly bound arms reinforce a posture of stillness and containment, while the carefully modeled face and inlaid eyes provide the focal point of identity and spiritual presence. Some of the information is generated by artificial intelligence and is based on published sources from the fields of ethnography, archaeology, and art history. Inv. No. MAZ13058

No. 106091955

Sold
木製の彫刻 - Bembe - DR Congo  (No reserve price)

木製の彫刻 - Bembe - DR Congo (No reserve price)

Statue of a Bembe woman, Katanga region, Congo RDC, incl stand.

A female figure is characterized by strongly abbreviated proportions, with very short legs and a compact, vertically concentrated body. The arms are closely held against the torso, bent at the elbows and ending without fully articulated hands, a formal reduction that emphasizes volume and silhouette over anatomical detail. This restrained treatment of the limbs contributes to the figure’s sense of inwardness and sculptural concentration.

The face is defined by inlaid eyes, which introduces a striking contrast between the polished wood surface and the reflective material of the eyes. This feature enhances the figure’s sense of presence and animation, especially in ritual or domestic contexts where such sculptures may function as spiritual intermediaries or commemorative objects. The surface is covered with a brown patina in varied tonalities, suggesting age, handling, and possible ritual application of oils or pigments over time.

The overall composition is compact and balanced, with emphasis placed on the torso and head as the primary zones of expression. The abbreviated legs and tightly bound arms reinforce a posture of stillness and containment, while the carefully modeled face and inlaid eyes provide the focal point of identity and spiritual presence.

Some of the information is generated by artificial intelligence and is based on published sources from the fields of ethnography, archaeology, and art history.

Inv. No. MAZ13058


Final bid
€ 39
No reserve price
Dimitri André
Expert
Estimate € 280 - € 330

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