A female Senufo Guardian sculpture or Rhythm-Pounder (Déblé) of the Northern Ivory Coast, close to the border to Mali, uprising from a cylindrical base, the long legs without feet, which suggests a more archaic type of this figure, the slender torso with a protruding stomach and a pointed navel, the arms carved close to the torso with hands holding a small child, sucking on her right breast, the shoulders rounded, a thick columnar neck supports an oval head with a diving jawline with opened mouth at its end, an elongated nose, two almond-shaped eyes, the cap-shaped hairstyle, there are scarifications on her cheeks, the side of her face, on her breasts and near her navel; the figure is characterized by an old touch patina, which suggests a long-lasting ritual use, the base has suffered lots of damage. The size of the base allows both options. But usually, Déblé are bigger and their purpose for funeral- ceremonies is different. According to Gottschalk Guardian sculptures are rarer than Rhythm-Pounders. Incl. stand. According to Gottschalk, who tried to make a typology of the Senufo Sculptures these exemplare would be probably submitted to the group of the kulibèlè and not the fonombèlè. "Während die ersteren (fonombèlè) entweder wegen mangelnder Fähigkeit zu feinerer Arbeit (the fonombèlè are the blacksmiths in the Senufo society) oder als bewußt eingesetztes Stilmittel die klaren und wuchtigen Formen, die kontrastierenden Waagerechten und Senkrechten weitgehend so beließen, wie sie bei der Festlegung der Proportionen entstanden waren, bemühen sich die kulibèlè (the traditional carver) um ein weiches Ineinanderfließen der Körperteile, soweit sie nicht den Stil ihrer älteren Brüder in ihre Arbeit aufnahmen oder ihn mehr oder weniger kopierten." Gottschalk Burkhard, "Senufo, Massa und die Statuen des poro" 2002: 43. More realistic sounds the opinion of Glaze, who described the difficulties of a stylistic typology according to both ethnic groups after she did fieldwork around kufulo (region of Dikodougou). Burkhard Gottschalk, Kunst aus Schwarz Afrika, Senufo, Unbekannte Schätze aus privaten Sammlungen, S.173, 174, Glaze Anita J., "Art and Death in a Senufo Village", Indiana University Press, Bloomington 1981.