Head of a Satyr

- refined style -

Roman Empire, 1st - 3rd century AD

MATERIAL: Marble.

DIMENSIONS: 30 cm height with stand, 17 cm height without stand.

PROVENANCE: Private collection, Berlin, Germany. Old collection before 2nd world war.

CONDITION: Good conditon, not restored.

DESCRIPTION:

Roman head made in marble representing a satyr, which can be deduced from the treatment of the hair, through the somewhat anarchic-looking curls (although, due to erosion, part of this disorderly representation of the locks has been lost) and, above all, the large mouth, insinuating a sardonic smile, which are common characteristics in the representation of this mythological character. The carver combines idealism and realism, a fact that was common in Roman statuary. The hair, the treatment of the eyes, and the strict symmetry bring us closer to this idealism that sought to represent harmony. However, the protruding lips and cheekbones show an almost animalistic expressiveness.

Related to the Maenads, the satyrs form the 'Dionysian retinue' that accompanies the god Dionysus. They are depicted in various forms; the most common (and basically Roman) is that of a half-man half-ram creature, with pointed ears and horns on the head, abundant hair, a flat nose, a goat's tail and a permanent priapism. One tradition considered the sons of Silenus, named Maron, Leneus and Astreo, to have been the fathers of the satyrs. All three were in the retinue of Dionysus when he travelled to India and, in fact, Astreo was the driver of his chariot. As we can see in this Roman sculpture, satyrs are cheerful and mischievous creatures, although their lighthearted and festive nature can turn dangerous and even violent (which explains why our sculpture has a frown on its face). As Dionysian creatures, they are lovers of wine and enjoy carnal pleasures.

Satyr and Silenus, in Greek mythology, creatures of the wild, part man and part beast, who in Classical times were closely associated with the god Dionysus. Their Italian counterparts were the Fauns (see Faunus). Satyrs and Sileni were at first represented as uncouth men, each with a horse’s tail and ears and an erect phallus. In the Hellenistic age they were represented as men having a goat’s legs and tail. The occurrence of two different names for the creatures has been explained by two rival theories: that Silenus was the Asian Greek and Satyr the mainland name for the same mythical being; or that the Sileni were part horse and the Satyrs part goat. Neither theory, however, fits all the examples in early art and literature. From the 5th century BC the name Silenus was applied to Dionysus’ foster father, which thus aided the gradual absorption of the Satyrs and Sileni into the Dionysiac cult. In the Great Dionysia festival at Athens three tragedies were followed by a Satyr play (e.g., Euripides’ Cyclops), in which the chorus was dressed to represent Satyrs. Silenus, although bibulous like the Satyrs in the Satyr plays, also appeared in legend as a dispenser of homely wisdom.

In art the Satyrs and Sileni were depicted in company with nymphs or Maenads whom they pursued. (Their amorous relations with nymphs are described as early as the Homeric Hymn to Aphrodite.) The Greek sculptor Praxiteles represented a new artistic type in which the Satyr was young and handsome, with only the smallest vestiges of animal parts. Hellenistic artists developed that concept into humorous or forceful representation of half-animal subjects as an escape from the merely human.


Notes:
The seller guarantees that he acquired this piece according to all national and international laws related to the ownership of cultural property. Provenance statement seen by Catawiki.
The seller will take care that any necessary permits, like an export license will be arranged, he will inform the buyer about the status of it if this takes more than a few days.
The piece includes authenticity certificate.
The piece includes Spanish Export License.
#historyroom

De verkoper stelt zich voor

Gallery of Ancient Art - Archeologie gevestigd in Barcelona met meer dan vijftien jaar ervaring. Gespecialiseerd in klassieke kunst, Egyptische kunst, Aziatische kunst en precolumbiaanse kunst. Het garandeert de authenticiteit van al zijn stukken. Het neemt deel aan de belangrijkste kunstbeurzen in Spanje, zoals Feriaarte, maar ook aan beurzen in het buitenland, BRAFA, Parcours des Mondes, Cultures Brussels. Alle stukken worden verzonden met een exportvergunning die is afgegeven door het Spaanse Ministerie van Cultuur. Wij verzenden snel via DHL Express of Direct Art Transport.
Vertaald door Google Translate

Head of a Satyr

- refined style -

Roman Empire, 1st - 3rd century AD

MATERIAL: Marble.

DIMENSIONS: 30 cm height with stand, 17 cm height without stand.

PROVENANCE: Private collection, Berlin, Germany. Old collection before 2nd world war.

CONDITION: Good conditon, not restored.

DESCRIPTION:

Roman head made in marble representing a satyr, which can be deduced from the treatment of the hair, through the somewhat anarchic-looking curls (although, due to erosion, part of this disorderly representation of the locks has been lost) and, above all, the large mouth, insinuating a sardonic smile, which are common characteristics in the representation of this mythological character. The carver combines idealism and realism, a fact that was common in Roman statuary. The hair, the treatment of the eyes, and the strict symmetry bring us closer to this idealism that sought to represent harmony. However, the protruding lips and cheekbones show an almost animalistic expressiveness.

Related to the Maenads, the satyrs form the 'Dionysian retinue' that accompanies the god Dionysus. They are depicted in various forms; the most common (and basically Roman) is that of a half-man half-ram creature, with pointed ears and horns on the head, abundant hair, a flat nose, a goat's tail and a permanent priapism. One tradition considered the sons of Silenus, named Maron, Leneus and Astreo, to have been the fathers of the satyrs. All three were in the retinue of Dionysus when he travelled to India and, in fact, Astreo was the driver of his chariot. As we can see in this Roman sculpture, satyrs are cheerful and mischievous creatures, although their lighthearted and festive nature can turn dangerous and even violent (which explains why our sculpture has a frown on its face). As Dionysian creatures, they are lovers of wine and enjoy carnal pleasures.

Satyr and Silenus, in Greek mythology, creatures of the wild, part man and part beast, who in Classical times were closely associated with the god Dionysus. Their Italian counterparts were the Fauns (see Faunus). Satyrs and Sileni were at first represented as uncouth men, each with a horse’s tail and ears and an erect phallus. In the Hellenistic age they were represented as men having a goat’s legs and tail. The occurrence of two different names for the creatures has been explained by two rival theories: that Silenus was the Asian Greek and Satyr the mainland name for the same mythical being; or that the Sileni were part horse and the Satyrs part goat. Neither theory, however, fits all the examples in early art and literature. From the 5th century BC the name Silenus was applied to Dionysus’ foster father, which thus aided the gradual absorption of the Satyrs and Sileni into the Dionysiac cult. In the Great Dionysia festival at Athens three tragedies were followed by a Satyr play (e.g., Euripides’ Cyclops), in which the chorus was dressed to represent Satyrs. Silenus, although bibulous like the Satyrs in the Satyr plays, also appeared in legend as a dispenser of homely wisdom.

In art the Satyrs and Sileni were depicted in company with nymphs or Maenads whom they pursued. (Their amorous relations with nymphs are described as early as the Homeric Hymn to Aphrodite.) The Greek sculptor Praxiteles represented a new artistic type in which the Satyr was young and handsome, with only the smallest vestiges of animal parts. Hellenistic artists developed that concept into humorous or forceful representation of half-animal subjects as an escape from the merely human.


Notes:
The seller guarantees that he acquired this piece according to all national and international laws related to the ownership of cultural property. Provenance statement seen by Catawiki.
The seller will take care that any necessary permits, like an export license will be arranged, he will inform the buyer about the status of it if this takes more than a few days.
The piece includes authenticity certificate.
The piece includes Spanish Export License.
#historyroom

De verkoper stelt zich voor

Gallery of Ancient Art - Archeologie gevestigd in Barcelona met meer dan vijftien jaar ervaring. Gespecialiseerd in klassieke kunst, Egyptische kunst, Aziatische kunst en precolumbiaanse kunst. Het garandeert de authenticiteit van al zijn stukken. Het neemt deel aan de belangrijkste kunstbeurzen in Spanje, zoals Feriaarte, maar ook aan beurzen in het buitenland, BRAFA, Parcours des Mondes, Cultures Brussels. Alle stukken worden verzonden met een exportvergunning die is afgegeven door het Spaanse Ministerie van Cultuur. Wij verzenden snel via DHL Express of Direct Art Transport.
Vertaald door Google Translate
Cultuur
Oud-Romeins
Name of object
Hoofd van een sater. 1e - 3e eeuw na Christus. 30 cm H. Spaanse exportvergunning.
Eeuw / Periode
1st - 3rd century AD.
Herkomst
Privécollectie
Land van herkomst
Onbekend
Materiaal
Marmer
Staat
Goed

2097 reviews (760 in de afgelopen 12 maanden)
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Prachtig schilderij. Zo blij mee. Zeer nette verkoper en zeer snelle levering.

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SNLMOVR

perfect ! very fast and high quality delivery !

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user-585d25979c1d

Photos trop contrastées pour bien percevoir les défauts, mais ces défauts étaient visibles pour autant. Le "Bon état" est trompeur. Sinon, envoi rapide et correctement emballé. Frais de port exagérés.

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user-f296769

Great communication, delivery and product. Came with a well made certificate of authenticity and good packaging. Overall very happy with the purchase! Delivery is a bit expensive, but I recommend it

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user-c736719174d8

Magnifique témoin du passé, envoyé avec tous les justificatifs, impeccable. Encore une fois très satisfait, un grand merci

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user-6f64011fed06

Thank you for the Special offer and the fast shipping of this excellent piece of art!

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user-aeb0450c0ddb

very good description of the object, very good price for this rare item,. Fast sending (has been at my place 2 days after buying!). Definitely would buy again.

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user-1f43cec94a8a

great seller, everything came as should with certificate of authenticity

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user-6375c99aa6f2

Exceptionally well packaged, description aligned with positing received

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user-1ee663b

Very satisfied with the small Greek Lekythos. As always (we have already bought several items from Bagot), the object was wrapped and sent immediately and with the greatest care.

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user-8d5f4840dfce

Perfect, excellent condition, good packaging, the parcel arrived without any problems… all is perfect as usual. Thank you very much and wait for an other nice piece like this one. Gilles.

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user-51ff767

Embora o custo de transporte esteja acima da média foi, realmente, muito bem executado e em embalagem cuidada. Expeditos e profissionais. Recomendo

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user-3593e129f3b5

oggetto bellissimo, fedele alla descrizione, venditore affidabile

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2097 reviews (760 in de afgelopen 12 maanden)
  1. 754
  2. 6
  3. 0

Disclaimer

De verkoper garandeert dat het object legaal is verkregen en kan dit bewijzen. Catawiki heeft de verkoper geïnformeerd dat hij/zij documentatie moet overleggen die vereist is volgens de wetten in hun land van verblijf. De verkoper garandeert dat hij/zij toestemming heeft om het object te verkopen/exporteren. De verkoper zal alle over het object bekende herkomstgegevens aan de koper verstrekken. De verkoper zorgt ervoor dat eventueel benodigde vergunningen zijn/zullen worden geregeld. De verkoper zal de koper onmiddellijk informeren over eventuele vertragingen bij het verkrijgen van dergelijke vergunningen.

De verkoper garandeert dat het object legaal is verkregen en kan dit bewijzen. Catawiki heeft de verkoper geïnformeerd dat hij/zij documentatie moet overleggen die vereist is volgens de wetten in hun land van verblijf. De verkoper garandeert dat hij/zij toestemming heeft om het object te verkopen/exporteren. De verkoper zal alle over het object bekende herkomstgegevens aan de koper verstrekken. De verkoper zorgt ervoor dat eventueel benodigde vergunningen zijn/zullen worden geregeld. De verkoper zal de koper onmiddellijk informeren over eventuele vertragingen bij het verkrijgen van dergelijke vergunningen.