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De flotteste objekter gitt til deg av  {name}

Zhu Chen

- Joan Miró (after), offset lithograph on heavyweight smooth satin paper  (approx. 300gsm, refers to paper thickness/density).

- Copyright Succesió Miró, by SIAE

- Stamp on verso.

- Size: 40 x 50 cm.

- Condition: excellent. Never framed, never exposed. 

- In La Lune Verte (1972), Joan Miró distills his unmistakable visual language into a vibrant constellation of signs, symbols, and color, where spontaneity and control coexist in perfect balance. The sweeping green crescent hovering like a celestial presence anchors the composition, while gestural lines, playful forms, and bursts of primary color orbit around it, evoking both cosmic order and childlike freedom.

Created in the later phase of his career, this work reflects Miró’s mature synthesis of abstraction and symbolism, a language that stands at the intersection of Surrealism and modern graphic expression. While rooted in the poetic universe of artists such as Salvador Dalí and Max Ernst, Miró’s approach moves toward a purified visual rhythm that resonates with the structural clarity of Wassily Kandinsky and the reductive precision of Paul Klee. At the same time, its bold contrasts and graphic immediacy anticipate the visual energy later embraced by figures like Keith Haring and Jean-Michel Basquiat.

The composition’s dynamic balance between emptiness and form is central to its impact. Miró allows space to breathe, much like Mark Rothko would later explore in his color fields, while the sharp, almost calligraphic lines echo the gestural freedom seen in artists such as Cy Twombly. The result is a work that feels both timeless and strikingly contemporary, bridging fine art, design, and visual culture in a way that continues to influence artists ranging from Pablo Picasso to more recent names like Takashi Murakami and even Banksy.

Today, Joan Miró remains one of the most internationally recognized and sought-after artists of the 20th century, and La Lune Verte stands as a compelling example of his late mastery. Its bold color, symbolic clarity, and graphic sophistication make it not only a key piece within modern art history, but also a visually powerful statement for contemporary interiors and curated spaces where art and design converge.

Artists of similar importance: Klimt, Hockney, Lichtenstein, Warhol, Banksy, Brainwash, Delaunay, Nara, Soulages, Lagasse, Ramos, Coa, Lautrec, Hopper, Hirst, Chagall, Koons, Haring, Indiana, Mondrian, Groening, Richter, Monroe, Herrera, Laurent, Matisse, Klein, Kusama, Murakami, Testa, Villemot, Oldenburg, Leger, Ripolles, Wesselmann, Magritte, Jenk, Orlinski, Wille, Rizzi, Manara, Thiebaud, Kaws, Valentino, Cappiello, Rothko, Dalí, among others.

Offsettrykk, Litografi - Ikke signert - 1999

Joan Miró (1893-1983) (after) - "La Lune Verte, 1972"

Design og moderne møbler

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Italia -  - 2020+ 

Alessi - Jim Hannon-Tan - Nøtteknekker -  Kjære - Aluminium

Italia - Samtidskunst  - 1990–2000

Alessi - Stefano Giovannoni - Kakeboks - Mary Biscuit - Plast

Design og moderne møbler

Dette objektet er ikke lenger tilgjengelig, men det er fortsatt mye å utforske

Joan Miró (1893-1983) (after) - "La Lune Verte, 1972"

126 objekter

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