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Tatiana Ruiz

Solitude shows us what it would be like to exist without background noise...

This painting was born from the need to express two concepts dear to me: solitude and the double.
The two female figures depicted are similar but not identical, contrasting but not separate. They are not simply the reflection of each other, but two distinct voices intertwined in an internal dialogue.
The voice of our double keeps us company, echoing our inner silence. It accompanies us and watches us from the outside, knowing our most intimate words, the suspended ones, the unspoken ones. It is our comfort, because it is an accomplice. It creates space and calms our restlessness. It is our truest world, one that doesn't feel the need to be seen.
Solitude, therefore, is not absence, but the silent and constant presence that always accompanies us. It is a complementary state of mind, a tangle of internal threads that holds us together. And even when we ignore it, it is there.
Outside is chaos, we scroll through faces and words without truly retaining them. Everything screams, crowding us inside. The right to isolate ourselves is lost. It becomes increasingly difficult to hear. The only silent, unshouted relationship that's truly ours is the one with ourselves. It's listening to what remains when all else is silent, a return to the essential. Almost a revolutionary act. Perhaps the ultimate form of freedom.

This painting, the second one of the "Me and my double" series, is made with acrylic colors, soft pastels and charcoal on cotton canvas. The edges are painted and the work is ready to hang. The painting is accompanied by a certificate of authenticity. The surface is finished with a double layer of water-based satin varnish, which makes it resistant to UV rays and the passage of time.

Painting, why? Because It is a deeply moving experience. Because the activity of thought is finally fixed and stopped in a tangible, completely personal form. Cultivating one's creativity is like entering Alice's wonderland, where painting is following a path of upside-down images, where seeing is no longer to look but to feel. I paint because for me it is a sort of abandonment, in which I lose track of time, have a place in my brain to look at the unfolding of a new world, never perceived before ...

My early formative years at the atelier of the esteemed painter and dear friend Rodolfo Guzzoni directed my artistic path towards a profound exploration of portraiture, an art form with which I tried to capture the essence of a moment, of an emotion or simply a memory. My portraits almost act as windows into the human soul, through which melancholy, loneliness and fragility emerge.

I have an impatient nature, I need to instantly realize what I have in mind. I prefer acrylic colours, which have a short drying time which allows me this. I also love their matte finish, which doesn't hinder the view of the work depending on the angle of the light. I am aware of the power that colors have. I started by painting in black and white, almost whispering. Now I use colors sparingly, few and in large areas, trying to create an unreal, almost metaphysical atmosphere, in contrast with the concreteness and realism of the portrayed subject. I love to always experiment with new techniques, new materials, create contrasts and continually test myself. We are constantly evolving and this change, although sometimes imperceptible, helps us grow and improve.

I'm represented by ONART Gallery in Florence. For further information, please visit my website and my social profile.

www.federicabelloli.com
@federicabellolipainter

Akrylmaling - Signert for hånd - 2022

Federica Belloli - Loneliness II

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Dette objektet er ikke lenger tilgjengelig, men det er fortsatt mye å utforske

Federica Belloli - Loneliness II

1121 objekter

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