Et terrakottahode - Djenne - Mali (Ingen reservasjonspris)

06
dager
18
timer
51
minutter
44
sekunder
Nåværende bud
€ 16
Ingen reservasjonspris
Julien Gauthier
Ekspert
Valgt av Julien Gauthier

Ti års erfaring med historiske våpen, rustninger og afrikansk kunst.

Estimat  € 430 - € 500
27 andre ser på dette objektet
FR
16 €
IT
11 €
FR
8 €

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Beskrivelse fra selgeren

This terracotta head-fragment from the Inland Niger Delta, attributed to the urban complex of Djenné-Jeno and reportedly collected in the region of Mopti in present-day Mali, exemplifies the formal and symbolic density characteristic of first-millennium sculptural traditions of the Middle Niger. The face is organized around a poised verticality: a slender, rectilinear nose descends toward full, carefully modeled lips, beneath which a small goatee introduces a note of individualized physiognomy. The eyes, rendered as pronounced, bulging orbs, project an alert, almost otherworldly presence. At the temples, incised scarification patterns articulate identity and status, indexing practices of corporeal inscription that carried social, aesthetic, and possibly therapeutic meanings. In absence of laboratory tests, the age and attribution of this piece stay subject to authentication.

Most striking is the cranial surface, animated by numerous serpentine forms that appear to coil across the skull. Whether read as literal ophidian imagery or as an abstracted coiffure inflected by mythic associations, these elements invite interpretation within broader West African cosmologies in which serpents mediate between terrestrial and aquatic realms, vitality and regeneration. Their proliferation across the head may signal protective potency, ancestral affiliation, or the containment of dangerous knowledge. The fragmentary state intensifies this ambiguity, foregrounding the head as a locus of perception, speech, and spiritual agency.

Technically, the work demonstrates refined control of hand-built terracotta, with subtle modulation of planes and incisive detailing. Its aesthetic economy aligns with other Djenné-region finds while retaining a singular iconographic program. As such, the fragment contributes to ongoing debates about workshop practices, regional styles, and the circulation of ideas within the Inland Niger Delta’s early urban networks.

Selected literature
McIntosh, Roderick J., and Susan Keech McIntosh. “Cities Without Citadels: Understanding Urban Origins Along the Middle Niger.”
Insoll, Timothy. “The Archaeology of Islam in Sub-Saharan Africa.”
Bedaux, Rogier, et al. “The Inland Niger Delta: Archaeology and Environment.”
LaGamma, Alisa, ed. “Sahel: Art and Empires on the Shores of the Sahara.”

#afrohemian26

Historien til selger

Oversatt av Google Translate

This terracotta head-fragment from the Inland Niger Delta, attributed to the urban complex of Djenné-Jeno and reportedly collected in the region of Mopti in present-day Mali, exemplifies the formal and symbolic density characteristic of first-millennium sculptural traditions of the Middle Niger. The face is organized around a poised verticality: a slender, rectilinear nose descends toward full, carefully modeled lips, beneath which a small goatee introduces a note of individualized physiognomy. The eyes, rendered as pronounced, bulging orbs, project an alert, almost otherworldly presence. At the temples, incised scarification patterns articulate identity and status, indexing practices of corporeal inscription that carried social, aesthetic, and possibly therapeutic meanings. In absence of laboratory tests, the age and attribution of this piece stay subject to authentication.

Most striking is the cranial surface, animated by numerous serpentine forms that appear to coil across the skull. Whether read as literal ophidian imagery or as an abstracted coiffure inflected by mythic associations, these elements invite interpretation within broader West African cosmologies in which serpents mediate between terrestrial and aquatic realms, vitality and regeneration. Their proliferation across the head may signal protective potency, ancestral affiliation, or the containment of dangerous knowledge. The fragmentary state intensifies this ambiguity, foregrounding the head as a locus of perception, speech, and spiritual agency.

Technically, the work demonstrates refined control of hand-built terracotta, with subtle modulation of planes and incisive detailing. Its aesthetic economy aligns with other Djenné-region finds while retaining a singular iconographic program. As such, the fragment contributes to ongoing debates about workshop practices, regional styles, and the circulation of ideas within the Inland Niger Delta’s early urban networks.

Selected literature
McIntosh, Roderick J., and Susan Keech McIntosh. “Cities Without Citadels: Understanding Urban Origins Along the Middle Niger.”
Insoll, Timothy. “The Archaeology of Islam in Sub-Saharan Africa.”
Bedaux, Rogier, et al. “The Inland Niger Delta: Archaeology and Environment.”
LaGamma, Alisa, ed. “Sahel: Art and Empires on the Shores of the Sahara.”

#afrohemian26

Historien til selger

Oversatt av Google Translate

Detaljer

Etnisk gruppe / kultur
Djenne
Opprinnelsesland
Mali
Materiale
Terrakotta
Sold with stand
Nei
Tilstand
God stand
Tittelen på kunstverk
A terracotta head
Height
18 cm
Vekt
1,3 kg
TysklandBekreftet
6201
Objekter solgt
99,69%
protop

Rechtliche Informationen des Verkäufers

Unternehmen:
Jaenicke Njoya GmbH
Repräsentant:
Wolfgang Jaenicke
Adresse:
Jaenicke Njoya GmbH
Klausenerplatz 7
14059 Berlin
GERMANY
Telefonnummer:
+493033951033
Email:
w.jaenicke@jaenicke-njoya.com
USt-IdNr.:
DE241193499

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