Meriem Delacroix - Mioclonia






Studerte kunsthistorie ved École du Louvre med over 25 års erfaring innen samtidskunst.
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Meriem Delacroix presenterer Mioclonia, et maleri i blandtechnique fra 2025 i akryl med hvitt, svart og flerfarget, 50 x 50 cm, originalutgave, håndsignert, i utmerket stand, laget i Frankrike og solgt direkte av kunstneren, med ramme.
Beskrivelse fra selgeren
Myoclonus er et plutselig, kort, ufrivillig muskeltrekk. Det kjennes som en rask rykning eller støt og kan påvirke én muskel eller en gruppe muskler. Et vanlig eksempel er kroppens rykk noen opplever når de faller i søvn.
My work begins with synesthetic perception.
Sound, smell, texture, movement, and emotion merge together and become part of the visual structure of the painting.
I work through layers, allowing multiple sensory reactions, moments, and perspectives to coexist on the same surface. Music can influence shape and rhythm, smells can alter atmosphere and color relationships, while memory and physical sensation become integrated into the composition itself.
The process is intuitive but consistent: I translate sensory perception into visual language through texture, movement, accumulation, and spatial layering.
Rather than representing reality from a single fixed perspective, the work attempts to hold several dimensions of the same experience at once.
Historien til selger
Myoclonus er et plutselig, kort, ufrivillig muskeltrekk. Det kjennes som en rask rykning eller støt og kan påvirke én muskel eller en gruppe muskler. Et vanlig eksempel er kroppens rykk noen opplever når de faller i søvn.
My work begins with synesthetic perception.
Sound, smell, texture, movement, and emotion merge together and become part of the visual structure of the painting.
I work through layers, allowing multiple sensory reactions, moments, and perspectives to coexist on the same surface. Music can influence shape and rhythm, smells can alter atmosphere and color relationships, while memory and physical sensation become integrated into the composition itself.
The process is intuitive but consistent: I translate sensory perception into visual language through texture, movement, accumulation, and spatial layering.
Rather than representing reality from a single fixed perspective, the work attempts to hold several dimensions of the same experience at once.
