Júlio Pomar (1926-2018) - Untitled





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JÚLIO POMAR (Lisbon, 1926-2018), Untitled, 1992.
Title - Uten tittel, 1992
Medium - Lithografi på 270 grams Vélin d'Arches-papir.
Edition – Begrenset utgave.
Edition Number - Copy P.A. 35/50.
Signature - Signert, datert og håndsignert.
Measurements: 90 x 60 cm.
Condition – Utmerket stand.
References:
These serigraphs were made for the series published by the International Olympic Committee on the occasion of the centenary of modern Olympics in 1992.
Printed in 1992 in celebration of the 100th anniversary of the Olympics games. All the prints in this collection are stamped by the Olympic committee. This collection of prints can be found in the permanent collection of the Olympic Museum in Lausanne.
Julio Pomar Culebras was trained at the School of Fine Arts in Lisbon and Oporto and it was in the latter city where he began his artistic career with a solo exhibition in 1947. Later he participated in solo and group exhibitions, mainly in Portugal, but also in Paris. Between 1945 and 1957 his painting was essentially figurative, being one of the main representatives of Portuguese Neorealism. Later his work evolved in other directions.
JÚLIO POMAR (Lisbon, 1926-2018), Untitled, 1992.
Title - Uten tittel, 1992
Medium - Lithografi på 270 grams Vélin d'Arches-papir.
Edition – Begrenset utgave.
Edition Number - Copy P.A. 35/50.
Signature - Signert, datert og håndsignert.
Measurements: 90 x 60 cm.
Condition – Utmerket stand.
References:
These serigraphs were made for the series published by the International Olympic Committee on the occasion of the centenary of modern Olympics in 1992.
Printed in 1992 in celebration of the 100th anniversary of the Olympics games. All the prints in this collection are stamped by the Olympic committee. This collection of prints can be found in the permanent collection of the Olympic Museum in Lausanne.
Julio Pomar Culebras was trained at the School of Fine Arts in Lisbon and Oporto and it was in the latter city where he began his artistic career with a solo exhibition in 1947. Later he participated in solo and group exhibitions, mainly in Portugal, but also in Paris. Between 1945 and 1957 his painting was essentially figurative, being one of the main representatives of Portuguese Neorealism. Later his work evolved in other directions.

