Maurizio Buquicchio

WHAAM! pop Auction

En figur halvveis framtuende fra svart akrylglass, fanget i øyeblikket et blitsen kunne ha utløs. Den sølvblå håret som gjorde Andy Warhol øyeblikkelig gjenkjennelig, blir her til et felt av individuelle merker, fine linjer som fanger og holder lyset til håret virker å brenne mot mørket. Ingenting ble lagt til for å få det til å skje. Bildet eksisterer fordi overflaten ble tatt bort, ikke bygget opp.

Ansiktet hans forblir stort sett i skyggen, klippet ut av det glødende feltet snarere enn lyses opp av det, ett øye og leppens posisjon synlige bak det løftede kameraet. Hender som gripet kameraet bærer den samme stille flammen som håret, 

A figure half emerges from black acrylic glass, caught in the instant a flash would have fired. The silver wig that made Andy Warhol instantly recognizable becomes, here, a field of individual marks, fine lines catching and holding light until the hair seems to burn against the dark. Nothing was added to make that happen. The image exists because the surface was taken away, not built up.

His face stays mostly in shadow, cut out of that glowing field rather than lit by it, one eye and the set of the mouth just visible behind the raised camera. The hands gripping the camera carry the same quiet fire as the hair, knuckles and tendons picked out in scratched light, while the camera body itself sits dark and solid, almost a silhouette within the silhouette. No paint. No print. No ink. The likeness is formed entirely through controlled scratches worked into the acrylic glass.

Warhol spent his career turning faces into images, repeating them until the person behind the picture started to disappear into the picture itself. This work turns that idea back on him. The flash he is about to fire is the one subject that stays almost entirely dark, a small, deliberate reversal: the artist who made icons out of light is himself held together by it, and by its absence.

The image is always present, visible even without direct light falling across it. Under a stronger light the scratches catch and reflect, the contrast deepens and the hair seems to lift further off the surface, but the picture itself never switches on or off. Light does not create this image. It sharpens it. Seen from across a room the work reads as a clear, monumental portrait. Close in, that portrait dissolves into a field of fine scratches, each one part of the whole and none of them, alone, a picture.

This piece continues the Art with Scratch series by Tijs Dragtsma, in which imagery is constructed through controlled surface damage rather than pigment or print. This work is unique.

"The flash never fires. The light was already there, waiting to be uncovered."

About Art with Scratch

Art with Scratch is a body of work in which the image is not drawn, but released. Carved line by line into a deep black surface, each work emerges through countless precise scratches that catch the light and bring form out of darkness.

From a distance, the image appears almost photographic. Powerful, recognisable and full of presence. Yet up close, the work dissolves into a dense field of individual marks. Fine, fragile and almost weightless. What seemed solid reveals itself as a delicate web of lines, each one a deliberate gesture, each one essential to the whole.

Light does not create the image. It sharpens it. The black surface absorbs, while the scratched lines reflect. As light shifts across the surface, the image breathes. From one angle the figure stands clear and defined. From another it softens and settles back toward the darkness from which it came, without ever disappearing. Under a focused spotlight, the contrast deepens and the image takes on a sculptural, almost luminous quality.

What makes this medium so compelling is its quiet tension. The act of scratching is direct and irreversible. Every line is a decision that cannot be undone. Yet the result is not harsh. It is intimate, atmospheric and alive with movement. Hardness becomes softness. Destruction becomes creation. Absence becomes presence.

In works such as this portrait, the figure is never fully fixed. Through the interplay of line, light and shadow, the image shifts with perspective and atmosphere. At certain moments, the subject seems to step forward out of the black. At others, it settles back into stillness. It is within that movement, between sharpness and calm, that the work comes alive.

Like all materials touched by time, the surface carries its own quiet life. Each scratch holds a moment, a breath, a gesture. Together they form not just an image, but a presence, one that continues to reveal itself with every change of light.

About the Artist

My name is Tijs Dragtsma, founder of TD Fine Art Studio.

As an artist, I am driven by a constant desire to explore new visual languages. I do not see art as a fixed style, but as an evolving field of discovery where material, structure, light and emotion come together.

My work often begins with a simple question. How can a material speak in a new way. How can hardness become intimacy. How can precision create emotion. That search lies at the heart of everything I create.

Within TD Fine Art Studio, each body of work is approached as its own world, with its own logic, atmosphere and visual identity. Some works are built through rhythm, repetition and structure. Others emerge through absence, shadow, reflection or tension. What connects them is a shared commitment to originality, clarity and emotional presence.

I am fascinated by contrast. Between strength and fragility. Between control and feeling. Between what is visible and what is left open to interpretation. My goal is not simply to make an image, but to create a work that holds attention, invites reflection and continues to reveal itself over time.

TD Fine Art Studio is the space in which these explorations come together. It is not only a studio, but an evolving artistic universe shaped by curiosity, precision and the ambition to create work that feels distinctive, intentional and alive.

Dette anslaget er laget for å veilede deg når du byr. Den er basert på forhandlerprisområde på lignende objekter som er solgt på eller utenfor nett, og objektets unike egenskaper, som kvalitet, sjeldenhet eller håndverk. Vi kan ikke garantere at objektet vil selge, videreselge eller bli vurdert til dette beløpet.

Tijs Dragtsma (1992) - Warhol Behind the Flash

Blandet media - Signert - 2026

Nederland

verified

Bekreftet

Solgt med ramme

Solgt av

Utgave

Kunstner

Tittel på kunstverk

Teknikk

Signatur

Opprinnelsesland

Farge

Tilstand

høyde

Width

Style

Periode

Tijs Dragtsma, Warhol Behind the Flash, 2026 blandet medieverk på svart akrylglass, 51 × 51 cm, unikt originalverk signert og selges med ramme, fra Nederland, i utmerket stand.

Tijs Dragtsma (1992) - Warhol Behind the Flash

Catawiki kjøperbeskyttelse

Trustpilot 4.4 | 143362 anmeldelser

Del dette objektet med vennene dine

Tijs Dragtsma, Warhol Behind the Flash, 2026 blandet medieverk på svart akrylglass, 51 × 51 cm, unikt originalverk signert og selges med ramme, fra Nederland, i utmerket stand.

Beskrivelse fra selgeren

Detaljer

Lignende objekter

		160 €
		150 €
		140 €