frederic Cadiou (1980) - Traezhenn (100x100)






Har mastergrad i film og visuell kunst; erfaren kurator, skribent og forsker.
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Frédéric Cadiou presenterer Traezhenn (100x100), en original 2026 akrylmålning på 440 g bomullst canvas, 100 x 100 cm, signert, som skildrer inngangen til en strand i Bretagne i marint tema, med autentisitetsbevis og sendt rullet i et rigid tube.
Beskrivelse fra selgeren
Acrylic on cotton canvas 440g 100x100cm representing the entrance to a beach in Brittany.
Original unique work, handmade, new, exiting my studio in Brittany.
Total dimensions of the canvas: 108×108cm (painted edges) to be stretched on a 100x100cm frame. (It is advised to have the installation on a frame done by a professional).
Shipped rolled in a rigid cardboard tube.
Certificate of authenticity signed included.
Materials used:
Cotton artfix 440g canvas made in France.
Extremely fine and flexible acrylic paints.
Information about the artist:
Originating from Finistère Sud, Frédéric CADIOU draws inspiration from Breton landscapes, closely linked to light and horizon.
His works capture suspended moments where nature dialogues with human perception.
Projected shadows, slender lines, uncluttered compositions: each painting reveals a subtle tension between depth and minimalism.
Through a controlled palette and pronounced contrasts, the artist creates calm, almost meditative atmospheres.
The gaze is guided toward the horizon, between silence, space and contemplation.
A painting where light structures the landscape and where shadow becomes language.
Akoun appraisal (July 2026): €1,350 for a 15P format (65 × 50 cm).
Recent exhibitions:
* 2026: Selected to represent Artmajeur at the Vivatech 2026 fair, Paris
* 2026: Escale des arts, Archipel, Fouesnant
* 2025: Escale des arts, Archipel, Fouesnant
* 2024: Hôtel Garrigae Cap Coz, Fouesnant
* 2023: Hôtel Garrigae Cap Coz, Fouesnant
* 2023: Galerie Lapidarium, Prague
* 2022: Festival Les Filets Bleus, Concarneau
* 2022: Hôtel Garrigae Cap Coz, Fouesnant
* 2021: L’Art Suspendu, Sanary-sur-Mer
Upcoming exhibitions and information: www.fredericcadiou.com
The visuals of the staging are AI visualizations based on photographs of the real object. The photos of the real object take precedence.
Historien til selger
Acrylic on cotton canvas 440g 100x100cm representing the entrance to a beach in Brittany.
Original unique work, handmade, new, exiting my studio in Brittany.
Total dimensions of the canvas: 108×108cm (painted edges) to be stretched on a 100x100cm frame. (It is advised to have the installation on a frame done by a professional).
Shipped rolled in a rigid cardboard tube.
Certificate of authenticity signed included.
Materials used:
Cotton artfix 440g canvas made in France.
Extremely fine and flexible acrylic paints.
Information about the artist:
Originating from Finistère Sud, Frédéric CADIOU draws inspiration from Breton landscapes, closely linked to light and horizon.
His works capture suspended moments where nature dialogues with human perception.
Projected shadows, slender lines, uncluttered compositions: each painting reveals a subtle tension between depth and minimalism.
Through a controlled palette and pronounced contrasts, the artist creates calm, almost meditative atmospheres.
The gaze is guided toward the horizon, between silence, space and contemplation.
A painting where light structures the landscape and where shadow becomes language.
Akoun appraisal (July 2026): €1,350 for a 15P format (65 × 50 cm).
Recent exhibitions:
* 2026: Selected to represent Artmajeur at the Vivatech 2026 fair, Paris
* 2026: Escale des arts, Archipel, Fouesnant
* 2025: Escale des arts, Archipel, Fouesnant
* 2024: Hôtel Garrigae Cap Coz, Fouesnant
* 2023: Hôtel Garrigae Cap Coz, Fouesnant
* 2023: Galerie Lapidarium, Prague
* 2022: Festival Les Filets Bleus, Concarneau
* 2022: Hôtel Garrigae Cap Coz, Fouesnant
* 2021: L’Art Suspendu, Sanary-sur-Mer
Upcoming exhibitions and information: www.fredericcadiou.com
The visuals of the staging are AI visualizations based on photographs of the real object. The photos of the real object take precedence.
