Anna Majkutewicz - Golden dawn






Posiada tytuł magistra w zakresie mediacji sztuki i kultury oraz doświadczenie jako asystent galerii.
Ochrona nabywców Catawiki
Twoja płatność jest u nas bezpieczna, dopóki nie otrzymasz przedmiotu.Zobacz szczegóły
Trustpilot: 4.4 | opinie: 127239
Doskonała ocena na Trustpilot.
Anna Majkutewicz, Golden dawn, oryginalne malarstwo akrylowe (120 x 120 cm, 2024) sygnowane ręcznie, w doskonałym stanie, Polska, sprzedawane bezpośrednio przez artystę, w kolorach złota, turkusu i zieleni.
Opis od sprzedawcy
Size: 120x120 cm
This painting is like a quiet stopover between earth and infinity.
I see an open, peaceful, almost contemplative landscape: a soft horizon, beyond which stretches water—a sea or a lake—cool, yet illuminated by a delicate light. Above it, the sky, slightly agitated, as if woven from thin layers of air and thought. There is no drama here—only mindfulness.
The foreground is grass and vegetation, painted with a sensitivity to texture, earthy, vibrant, yet unobtrusive. They anchor the painting in the material, while the horizon and sky allow it to breathe. The whole balances between realism and the memory of the landscape—like a place to which one returns not physically, but internally.
The colors are subdued, natural: greens, grays, blues, and a warm, subdued light. The painting exudes peace, quiet, and a sense of space that doesn't impose itself on the viewer but invites pause.
This work is about:
• being "here and now,"
• humankind's relationship with nature without direct presence,
• landscape as an internal state, not just a place.
It resonates perfectly with the interior in which it hangs—as if it were a window not to the world, but to the breath.
Size: 120x120 cm
This painting is like a quiet stopover between earth and infinity.
I see an open, peaceful, almost contemplative landscape: a soft horizon, beyond which stretches water—a sea or a lake—cool, yet illuminated by a delicate light. Above it, the sky, slightly agitated, as if woven from thin layers of air and thought. There is no drama here—only mindfulness.
The foreground is grass and vegetation, painted with a sensitivity to texture, earthy, vibrant, yet unobtrusive. They anchor the painting in the material, while the horizon and sky allow it to breathe. The whole balances between realism and the memory of the landscape—like a place to which one returns not physically, but internally.
The colors are subdued, natural: greens, grays, blues, and a warm, subdued light. The painting exudes peace, quiet, and a sense of space that doesn't impose itself on the viewer but invites pause.
This work is about:
• being "here and now,"
• humankind's relationship with nature without direct presence,
• landscape as an internal state, not just a place.
It resonates perfectly with the interior in which it hangs—as if it were a window not to the world, but to the breath.
