VANDL - #010






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Oryginalne, podpisane dzieło mieszane techniką VANDL o tytule #010, na czarnej tablicy Airplac o wymiarach 65 cm x 50 cm (grubość 5 mm) z 2023 roku, sprzedawane bezpośrednio przez artystę i dostarczane z certyfikatem autentyczności na metalowej karcie, bez ramy i w doskonałym stanie.
Opis od sprzedawcy
UNIQUE HAND-PAINTED WORK BY VANDL
Signed, numbered and delivered with its certificate of authenticity on a metal card
Mixed media on Airplac plate - Black - 65cm x 50 cm - 5 mm thick (2 black faces on black foam)
- Sold WITHOUT the frame -
The colors of the work may vary slightly depending on screens (phones, computers) and lighting conditions during photography. The visuals are faithful to the work, but deviations in shades may appear depending on the brightness or calibration of your device
INTERVIEW WITH VANDL:
Journalist:
Why paint only one word per canvas?
VANDL:
Because one word is enough. Everything else is noise.
Journalist:
Why the drips?
VANDL:
Because nothing stays intact. Everything moves. The word stays.
Journalist:
How do you choose your words?
VANDL:
They hit me like a punch. If they stay with me, then they deserve to be painted.
Journalist:
Your art has moved from the street to collectors’ walls. What changes?
VANDL:
Nothing has changed. The word remains the same. The impact as well.
I always paint where I want, how I want.
Journalist:
Why refuse to be recognized?
VANDL:
Because art doesn’t need a face.
A word doesn’t need a name.
Journalist:
What impact do you want your work to have on people?
VANDL:
I don’t want people to think too much.
I want them to feel.
To take the impact of my word straight to their face.
Journalist:
Last question. Where is VANDL headed?
VANDL:
Ahead of him, until there is nothing left to say.
MORE ABOUT THE ARTIST:
No one really knows who he is. Some say he comes from Paris, others place him in Barcelona, or perhaps Berlin.
His artistic approach: the word as a visual explosion
VANDL does not paint images. He does not tell complicated stories. He strikes with a single word.
• A word written at the top of the canvas, like a scream.
• A word that flows, that refuses to be neat, that refuses to be fixed.
• A word that asks for no explanation.
You feel it, or you walk on.
One thing is certain: he has left his mark everywhere.
His earliest works appeared under bridges, on the grimy walls of cities, in places society prefers to forget. Raw words, dripping with rage and truth, leaving trails behind them, as if the word itself cried or bled.
From streets to galleries… without compromise
Each painting is an explosive contained, a silent manifesto that speaks directly to the viewer.
He never appears in public. He continues to place his works on the street, in secret, as a tribute to his origins.
No one knows where he will strike next.
VANDL is elusive — a street art phantom, a poet of urban minimalism.
#freshtalent #streetart #graffiti
UNIQUE HAND-PAINTED WORK BY VANDL
Signed, numbered and delivered with its certificate of authenticity on a metal card
Mixed media on Airplac plate - Black - 65cm x 50 cm - 5 mm thick (2 black faces on black foam)
- Sold WITHOUT the frame -
The colors of the work may vary slightly depending on screens (phones, computers) and lighting conditions during photography. The visuals are faithful to the work, but deviations in shades may appear depending on the brightness or calibration of your device
INTERVIEW WITH VANDL:
Journalist:
Why paint only one word per canvas?
VANDL:
Because one word is enough. Everything else is noise.
Journalist:
Why the drips?
VANDL:
Because nothing stays intact. Everything moves. The word stays.
Journalist:
How do you choose your words?
VANDL:
They hit me like a punch. If they stay with me, then they deserve to be painted.
Journalist:
Your art has moved from the street to collectors’ walls. What changes?
VANDL:
Nothing has changed. The word remains the same. The impact as well.
I always paint where I want, how I want.
Journalist:
Why refuse to be recognized?
VANDL:
Because art doesn’t need a face.
A word doesn’t need a name.
Journalist:
What impact do you want your work to have on people?
VANDL:
I don’t want people to think too much.
I want them to feel.
To take the impact of my word straight to their face.
Journalist:
Last question. Where is VANDL headed?
VANDL:
Ahead of him, until there is nothing left to say.
MORE ABOUT THE ARTIST:
No one really knows who he is. Some say he comes from Paris, others place him in Barcelona, or perhaps Berlin.
His artistic approach: the word as a visual explosion
VANDL does not paint images. He does not tell complicated stories. He strikes with a single word.
• A word written at the top of the canvas, like a scream.
• A word that flows, that refuses to be neat, that refuses to be fixed.
• A word that asks for no explanation.
You feel it, or you walk on.
One thing is certain: he has left his mark everywhere.
His earliest works appeared under bridges, on the grimy walls of cities, in places society prefers to forget. Raw words, dripping with rage and truth, leaving trails behind them, as if the word itself cried or bled.
From streets to galleries… without compromise
Each painting is an explosive contained, a silent manifesto that speaks directly to the viewer.
He never appears in public. He continues to place his works on the street, in secret, as a tribute to his origins.
No one knows where he will strike next.
VANDL is elusive — a street art phantom, a poet of urban minimalism.
#freshtalent #streetart #graffiti
