1. The Moody Blues - Days Of Future Passed (Deram SML 707) made in UK original 1967 LP | vinyl: VG++ (excellent) | cover: NM (mint-) store sticker on back cover | Issue with white labels and "DSS" (Deramic Sound System) in brown. Dead Wax info: Matrix / Runout stamped (Side A): ZAL-8078-3W | Matrix / Runout stamped (Side B): ZAL-8079-3W Days of Future Passed is the second album and first concept album by English prog rock band the Moody Blues, released in November 1967 by Deram Records in the UK and March 1968 in the US. With its fusion of orchestral and rock elements, it has been cited as one of the first examples of progressive rock. 2. The Moody Blues – In Search Of The Lost Chord (Deram – SML 711) made in UK 1968 original gatefold LP | vinyl: NM (mint-) | cover: NM (mint-) gatefold | Dead Wax info: Matrix / Runout stamped (Side A): ZAL-8270-4W | Matrix / Runout stamped (Side B): ZAL-8271-3W | The album takes inspiration from the spirit of inner exploration that characterized the psychedelic era. Justin Hayward acknowledges the influence of psychedelic drugs on the band's creative process: "Oh, we all dabbled in all sorts of things. Well, all of us apart from John. He never participated. Usually, they were the more psychedelic type of drugs. 3. The Moody Blues – A Question Of Balance (Threshold – THS 3) made in USA original gatefold 1970 LP | vinyl: NM (mint-) | cover: NM (mint-) gatefold | Dead Wax info: Matrix / Runout stamped (Side A): ZAL-8270-4W | Matrix / Runout stamped (Side B): ZAL-8271-3W | The album was an attempt by the group to strip down their previously lush, psychedelic sound in order to be better able to perform the songs in concert. 4. Justin Hayward & John Lodge – Blue Jays (Threshold – 6376 600) made in Holland original 1975 gatefold LP | vinyl: NM (mint-) | cover: NM (mint-) Fold out cover and also includes insert with lyrics.-- Moody Blues! During work on the Moody Blues album that was to follow Seventh Sojourn, bandmates Lodge, Mike Pinder, Ray Thomas and Graeme Edge summoned Hayward and producer Tony Clarke out of a recording session to call off the project. The tension-fraught recording of Seventh Sojourn and subsequent world tour had left the band exhausted and relationships frayed. Pinder, who had emigrated to the United States, was not happy in England and was determined to return home to California. According to Hayward: