艺术

室内设计及装饰

钻石及宝石

腕表、钢笔及打火机

时尚

硬币及邮票

漫画及动画

老爷车，经典摩托车及汽车收藏品

葡萄酒、威士忌及烈酒

亚洲及部落艺术

集换式卡牌

玩具及模型

考古学及自然历史

运动及其活动

音乐、电影及相机

书籍及历史纪念品

{name}给您带来的最佳物品

Itziar Ramos

“Aqua Mythos”
In the imagined depths of the sea, human and animal forms intertwine in an eternal cycle. The work evokes an ancient myth where water is both origin and desire — a realm where the sacred and the sensual coexist. Each figure seems to flow into the next, as if the ocean carried within its movement the memory of all bodies.

Series: The Game of Souls
I paint bodies that dream, touch, and merge in dreamlike and carnal scenes, where the human and the animal coexist in symbolic, sensual, and chaotic landscapes. My practice focuses on large-scale figurative painting, primarily in acrylic on canvas, using a vibrant and saturated palette inspired by German Expressionism, Latin American muralism, Goya  and Gauguin. Technically, I emphasize the expressive use of flat color, strong contours, and the balance between chaos and visual harmony. I work with free gestures and visual memory, painting without preliminary sketches, composing as I go, allowing forms to build, overlap, and contradict each other.
My works unfold as open narratives: fragmented stories that intertwine personal experiences, cultural references, and mythological or fetishistic elements. The figures I paint—often grotesque, exaggerated, or caricature-like—challenge traditional standards of beauty and anatomy, generating tensions between the sacred and the profane, the sensual and the violent, the tragic and the absurd. I paint as someone who simultaneously remembers and forgets.
Each image is a metaphor for the human condition, a visual diary where eroticism, tenderness, death, sacred art, and surrealism converge. My paintings don't seek to provide answers; they pose questions, provoke contradictions, and confront the viewer with their own gaze. Color, the body, and emotion are the primary vehicles of this experience. I paint to narrate, but also to allow the viewer to complete the story from their own perception.
Signed by MCH, this painting celebrates the plural, the imperfect, and the uncomfortable with a force that refers to both eroticism and the collective unconscious.



Artwork: New, original and unique artwork by Miriam Chiera.
Year: 2025
Medium: pastels, acrylic, spray, stencils, graphite on 290 gr/m2 printed cotton canvas.
Signature: Signature on the back, includes Certificate of Authenticity.
Shipping: The artwork will be shipped (for shipments outside the EU) after approximately 7 days to allow preparation of the documentation at Cultural Goods to be submitted to customs.
Framed images are for illustrative purposes only.
The artwork is delivered unframed rolled with tracing paper to prevent damage (professional packaging, rolled in a plastic tube or reinforced cardboard).

Please note that colours slightly vary on different screens.

Taxes:
"Purchases made from outside the European Union may be subject to import taxes or customs duties, which will be the buyer's responsibility."

Materials:
This work is made with a high quality canvas, which is essential for creating beautiful and long-lasting works of art. A good cotton linen that prevents tears or stretching, top quality materials from top brands, mediums to obtain flexible textures that prevent cracks, the density of the fabric that is transmitted in its weight, the proper stretching and priming ensure that you are investing in a quality work and ensure that it remains intact over time.

Biography:
Miriam CHiera is an Italian-Argentine contemporary artist based in Senigallia, Italy. She studied Interior Design at the Faculty of Architecture of the Universidad Nacional del Litoral, Argentina, and also studied art at the Verona Academy of Art, Italy.
She was born in a small town in Argentina, surrounded by vast expanses of countryside, to a family of Italian immigrant farmers. Although her roots are steeped in Italian culture, her art carries the spirit of the land where she grew up. Small marks and symbols are scattered across her canvases, interweaving cubism, constructivism and abstract geometry with the essence of her work: the language of color.
Surrounded by the immensity of nature, with infinite horizons and a deep sense of freedom, she found inspiration in large-scale creations. Although she studied Interior Design at the Universidad Nacional del Litoral, her path to painting began in her early years, it was during her residency in the city of Romeo and Juliet, where she studied at the Accademia di Arte in Verona, when she realized that painting was her true calling.
Miriam CHiera's works have been selected to be exhibited in international competitions, galleries, museums and events.
2017 – Selected for the Biennial of Fine Arts, Friends of Art, Ceres, Argentina.
2019 – XII Salvador Massa Regional Painting Salon, Argentina.
2019 – Finalist in the 3rd Painting Contest, 56th Anniversary Fundación 25 de Junio, Rosario, Argentina.
2019 – Selected for the 66th National Annual Exhibition of Arts, Ceres, Argentina.
2019 – Finalist at the XXIII Spring Hall, Museum of Visual Arts, Santa Fe, Argentina.
2019 – Finalist at the Regional Annual Exhibition of Artists, Museum H. Borla, Esperanza, Argentina.
2020 – Finalist at the XXIV Spring Hall, Municipal Museum of Visual Arts, Argentina.
2021 – Finalist at the XXVI Spring Hall, Santa Fe, Argentina.
2023 – Participant in the Chorlton Arts Festival, Manchester, United Kingdom.
Her works are part of private collections around the world.

Today she lives in Senigallia, Italy, after traveling through many cities: Milan, Verona, Ancona, Barcelona, ​​​Manchester, Buenos Aires, Rosario and her hometown, Ceres. Each place has left its mark on her art, shaping the vision and expression that flows through her work.

Artist Statement:
A work of art is far more than a fashionable object, a fleeting trend, or a decorative element designed to solve a spatial issue. I create paintings with the hope that they become a window through which you can tell yourself a story-where the art interacts with your life in a meaningful way.
Each piece carries its own imprint, a soul, an energy that transforms it into a living presence within your space. My aspiration is for my art to move you, to evoke a desire to possess it, to immerse yourself in its essence, and to enjoy its company each morning as you stand before it.

丙烯画 - Hand signed - 2025

Miriam Chiera - Aqua Mythos. XXL

时尚饰品

保留价

没有保留价

立即购买

预算


至


结束日期

星期日

星期六

4 四月

明天

星期五

星期二

星期三

2 四月

星期一

3 四月

位置

意大利

法国

荷兰

日本

西班牙

立陶宛

比利时

德国

拉脱维亚

波兰

奥地利

土耳其

以色列

匈牙利

乌克兰

葡萄牙

瑞士

罗马尼亚

英国

美国

捷克共和国

挪威

希腊

保加利亚

香港

尺寸

高度

宽度

深度

品牌

Hermès

Louis Vuitton

Other brand

Gucci

Chanel

Burberry

Cartier

Montblanc

Christian Dior

Moncler

Yves Saint Laurent

Carrera

Prada

Vivienne Westwood

Bausch & Lomb U.S.A

Dolce & Gabbana

Fendi

Borsalino

Chopard

Dita

Versace

Tom Ford

Ermenegildo Zegna

Alfred Dunhill

Persol Ratti

物品

太阳镜

围巾

印图开司米围巾

袖扣

钱包

手镯

时尚配饰套装

礼帽

披肩（披巾）

手抓包

项链

长形钱包

钥匙圈

领带

胸针

耳环

双折钱包

日常手册封面

针织小圆帽

戒指

眼镜

手提包

宠物配件

原产国

中国

未知

英格兰

苏格兰

印度

Vietnam

大不列顛

巴西

尼泊尔

斯洛文尼亚

欧洲

北美

材质

金属

真丝

醋酸盐

皮革

羊毛

镀金金属

塑料

Gold-plated

涂层帆布

羊绒

镀银金属

玻璃

混合面料

玫瑰金

帆布

黄金

水晶

尼龙

树脂

合成材料

性别

男士

中性

女士

状态

全新或近乎全新，未使用且有/无原始包装

状态很好，略有使用过的痕迹

状态良好，有一些使用过的痕迹

状态极佳，几乎没有使用过的痕迹

状态非常好 - 稍使用过，有一点点磨损的迹象

新，未使用，无原始包装

状态极佳 - 几乎没有使用过的迹象

作为新的 - 未使用

状态好 - 使用过，有一些磨损的痕迹

经过大量使用状态，明显磨损迹象

复古品 - 使用过，有明显磨损的迹象

状态极佳 - 几乎没有使用过，老化及磨损的迹象极小

状态一般 - 使用过，有明显磨损的痕迹

状态良好 - 使用过，稍有老化的迹象及缺陷

状态一般，有明显的使用过的的痕迹

状态良好 - 使用过，稍有老化的迹象

全新/未使用

很好

崭新的

极佳

未使用

新，未使用过，带原始包装

新／如新

时期

2020年及之后

2000-2010

1980-1990

1990-2000

2010-2020年

Late 20th century

1970-1980

1900-1910

1920-1930

2020

2024

2026年

宝石重量

钻石

祖母绿

尖晶石

缟玛瑙

红宝石

蓝宝石

合成宝石

时尚饰品

该物品已没有了，但还有许多您可以发现的

Miriam Chiera - Aqua Mythos. XXL

在时尚饰品中很受欢迎

2741件物品

相关收藏