The “swirling eyes" vase amphora ,” made of lead-coloured terracotta and dating from the Han Period (202 BC–220 AD), is an exceptional example of the ceremonial ceramic repertoire developed during one of the most iconic dynasties in Chinese imperial history. Nice in size (18 × 18 × 14 cm), this piece stands out not only for its formal and technical solidity, but also for the symbolic sophistication of its decoration and volumetric structure. The body of the vessel has a compact, globular shape, modelled with great skill and symmetry, with a short neck that opens into a slightly flared, quadrangular rim. The most striking features of the piece are its sturdy handles, which are elegantly integrated into the body, and the double circular reliefs on each side, known as “revolving eyes.” This type of decoration—with an optical and almost sculptural effect—is closely linked to concepts of vigilance, spiritual protection, and cyclical energy in ancient Chinese cosmologies. The term “swirling eyes" alludes to the shape of concentric circles in high relief that appear to rotate on their axis, and which are repeated with subtle variations on each side of the vessel. These vessels were commonly used in funerary and ritual contexts, as evidenced both by their delicate workmanship and the quality of the finish, which in this case features a burnished surface that generates a metallic sheen—typical of the treatment received by elite pottery of the Han period. The leaden tone, achieved through reduction firing, intensifies this sense of sobriety and solemnity, evoking materials such as bronze or iron, with which it competed visually in the grave goods of the deceased. In terms of conservation, the piece shows moderate signs of surface wear, with visible areas of abrasion on the handles and light mineral encrustations, consistent with prolonged exposure to burial conditions. However, it is in good structural condition, retaining its original form and key decorative details. From a cultural perspective, the Han Dynasty marked a key moment in the consolidation of China's imperial identity, and the visual arts reflect this drive toward stability, symbolic hierarchy, and technical refinement. Similar vessels have been found in tombs in northern China and have parallels in collections such as those at the Shanghai History Museum or the Musée Cernuschi in Paris, where nearly identical examples are on display, also with the characteristic raised "eyes." Acquired from a Spanish private collection, M.J.S in the 70's. -The piece includes an authenticity certificate and Spanish Export License (Passport for European Union). IMPORTANT: Due to the new laws on the export of archaeological pieces, we have decided to NO LONGER sell outside the European territory for the following countries: SWITZERLAND & UNITED STATES of AMERICA. For other destinations out of European territory: all our items will be shipped after obtaining a definitive LICENSE EXPORTATION by the Ministry of Culture of Spain. We inform our clients that it may take between 4-8 weeks. According to Spanish legislation, items sent outside the European Union are subjected to export taxes. The taxes will be added to the invoice, at the buyer's expense. These export fees are fixed on the final auction price, and the tax rate is not applied directly to the total value of the item to be exported, but rather the different percentages by sections are applied to it: Up to 6,000 euros: 5%. / From 6.001 to 60.000 euros: 10 %. Please note that for far destination (Asia, middle east etc.. ), there will be an additional cost for the shipping.