编号 100590265

已售出
高冈铜瓶——经典日本金属工艺与自然铜绿 - 黄铜色 - 日本 - Shōwa period (1926-1989)
最终出价
€ 3
1周前

高冈铜瓶——经典日本金属工艺与自然铜绿 - 黄铜色 - 日本 - Shōwa period (1926-1989)

– Takaoka bronze tradition: over four centuries of regional casting excellence – Substantial form with aged patina reflecting decades of natural oxidation – Versatile display piece bridging traditional and contemporary aesthetics Summary: This bronze vase represents Takaoka metalworking tradition, though it arrives without maker's signature or detailed provenance. The piece exhibits the solid casting quality and surface character typical of mid-20th-century Japanese decorative bronzes—well-made, honestly crafted, and carrying the dignified presence that comes from substantial material and time-earned patina. The surface shows signs of age and handling, which collectors of vintage Japanese metalwork often value as evidence of authenticity and history. This is not museum-level rarity, but rather a good example of accessible Japanese bronze craft suitable for collectors building a decorative arts collection or seeking authentic Asian accents for contemporary interiors. Not every object needs a pedigree to earn its place. Sometimes authenticity resides not in a famous maker's signature, but in honest material, straightforward construction, and the quiet accumulation of character over decades. This bronze vase from the Takaoka tradition embodies that principle—an unsigned piece whose value lies in its unpretentious solidity and the genuine patina that speaks of age rather than artifice. Takaoka, in Toyama Prefecture, has been Japan's foremost bronze-casting centre since the early 1600s. The region's metalworkers supplied Buddhist temples with bells, incense burners, and altar fittings, whilst also producing decorative objects for domestic and export markets. By the 20th century, Takaoka bronzes ranged from high-end art pieces signed by recognised masters to well-crafted everyday wares that nonetheless reflected the district's technical standards. This vase likely falls into the latter category: a competently cast vessel produced during the Shōwa era (1926–1989), when Japanese metalwork still retained traditional hand-finishing techniques even as production scaled to meet broader demand. The vase's form follows classical proportions—a gently swelling body tapering to a narrow neck, creating a silhouette that feels balanced whether viewed from across a room or examined closely. The surface shows natural oxidation: areas of darker toning, subtle green-blue verdigris in recesses, and the irregular colour shifts that develop as copper alloys react with air and moisture over time. This patina cannot be rushed or convincingly faked; it accumulates gradually, layer by microscopic layer, and its presence confirms age. For collectors, patina serves as both aesthetic feature and authentication marker. A bronze that has lived for fifty or seventy years acquires depth and nuance that new castings lack. The surface becomes less uniform, more complex, with variations that respond to handling, environment, and chance. Some collectors prefer to preserve this patina exactly as found; others gently clean away heavier corrosion whilst retaining underlying colour. Either approach respects the object's history. In practical terms, this vase functions beautifully in a range of settings. Its modest scale suits tabletop display without dominating the space. The dark bronze tones harmonise with wood furniture, stone surfaces, or neutral textiles, whilst the vertical form adds height to low arrangements of books or objects. One might use it to hold a single stem—a branch of blossom, a stalk of pampas grass, a minimalist ikebana arrangement—or simply leave it empty, appreciated as sculptural form. The piece integrates equally well into interiors leaning towards rustic wabi-sabi aesthetics or sleek modernist minimalism; bronze's material gravitas adapts to multiple contexts. This is the sort of object that grows more appreciated over time. Initially, it may seem unremarkable—no famous name, no elaborate decoration, just honest metal and simple shape. But with daily proximity, one begins to notice details: the way light moves across the irregular surface, the satisfying weight when lifting it, the subtle shifts in colour depending on angle and illumination. It becomes, quietly, indispensable—a fixture that anchors a space and rewards sustained attention. Shipping & Handling We ship worldwide via DHL or EMS with full insurance and tracking. Professional packing ensures safe arrival; combined shipping available for multiple wins. Local customs duties are the buyer's responsibility. 1259

编号 100590265

已售出
高冈铜瓶——经典日本金属工艺与自然铜绿 - 黄铜色 - 日本 - Shōwa period (1926-1989)

高冈铜瓶——经典日本金属工艺与自然铜绿 - 黄铜色 - 日本 - Shōwa period (1926-1989)

– Takaoka bronze tradition: over four centuries of regional casting excellence – Substantial form with aged patina reflecting decades of natural oxidation – Versatile display piece bridging traditional and contemporary aesthetics

Summary: This bronze vase represents Takaoka metalworking tradition, though it arrives without maker's signature or detailed provenance. The piece exhibits the solid casting quality and surface character typical of mid-20th-century Japanese decorative bronzes—well-made, honestly crafted, and carrying the dignified presence that comes from substantial material and time-earned patina. The surface shows signs of age and handling, which collectors of vintage Japanese metalwork often value as evidence of authenticity and history. This is not museum-level rarity, but rather a good example of accessible Japanese bronze craft suitable for collectors building a decorative arts collection or seeking authentic Asian accents for contemporary interiors.

Not every object needs a pedigree to earn its place. Sometimes authenticity resides not in a famous maker's signature, but in honest material, straightforward construction, and the quiet accumulation of character over decades. This bronze vase from the Takaoka tradition embodies that principle—an unsigned piece whose value lies in its unpretentious solidity and the genuine patina that speaks of age rather than artifice.

Takaoka, in Toyama Prefecture, has been Japan's foremost bronze-casting centre since the early 1600s. The region's metalworkers supplied Buddhist temples with bells, incense burners, and altar fittings, whilst also producing decorative objects for domestic and export markets. By the 20th century, Takaoka bronzes ranged from high-end art pieces signed by recognised masters to well-crafted everyday wares that nonetheless reflected the district's technical standards. This vase likely falls into the latter category: a competently cast vessel produced during the Shōwa era (1926–1989), when Japanese metalwork still retained traditional hand-finishing techniques even as production scaled to meet broader demand.

The vase's form follows classical proportions—a gently swelling body tapering to a narrow neck, creating a silhouette that feels balanced whether viewed from across a room or examined closely. The surface shows natural oxidation: areas of darker toning, subtle green-blue verdigris in recesses, and the irregular colour shifts that develop as copper alloys react with air and moisture over time. This patina cannot be rushed or convincingly faked; it accumulates gradually, layer by microscopic layer, and its presence confirms age.

For collectors, patina serves as both aesthetic feature and authentication marker. A bronze that has lived for fifty or seventy years acquires depth and nuance that new castings lack. The surface becomes less uniform, more complex, with variations that respond to handling, environment, and chance. Some collectors prefer to preserve this patina exactly as found; others gently clean away heavier corrosion whilst retaining underlying colour. Either approach respects the object's history.

In practical terms, this vase functions beautifully in a range of settings. Its modest scale suits tabletop display without dominating the space. The dark bronze tones harmonise with wood furniture, stone surfaces, or neutral textiles, whilst the vertical form adds height to low arrangements of books or objects. One might use it to hold a single stem—a branch of blossom, a stalk of pampas grass, a minimalist ikebana arrangement—or simply leave it empty, appreciated as sculptural form. The piece integrates equally well into interiors leaning towards rustic wabi-sabi aesthetics or sleek modernist minimalism; bronze's material gravitas adapts to multiple contexts.

This is the sort of object that grows more appreciated over time. Initially, it may seem unremarkable—no famous name, no elaborate decoration, just honest metal and simple shape. But with daily proximity, one begins to notice details: the way light moves across the irregular surface, the satisfying weight when lifting it, the subtle shifts in colour depending on angle and illumination. It becomes, quietly, indispensable—a fixture that anchors a space and rewards sustained attention.

Shipping & Handling
We ship worldwide via DHL or EMS with full insurance and tracking. Professional packing ensures safe arrival; combined shipping available for multiple wins. Local customs duties are the buyer's responsibility.


1259

最终出价
€ 3

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