编号 100599247

日本美容的收藏之一:三大夏月之一:绣球花月(农历四月) - 纸 - Utagawa Kunisada (1786-1865) - 日本 - Edo Period (1600-1868)
编号 100599247

日本美容的收藏之一:三大夏月之一:绣球花月(农历四月) - 纸 - Utagawa Kunisada (1786-1865) - 日本 - Edo Period (1600-1868)
Description & Highlights
This print represents U no Hana-zuki (the Month of Deutzia), one of the seasonal themes from the series Three Summer Months. A graceful female figure is shown in a quiet, reflective moment, her elegant posture and refined costume evoking the gentle transition from spring to early summer.
A highlight of the work lies in its seasonal subtlety. Rather than depicting overt symbols of summer heat, Kunisada emphasizes atmosphere through delicate patterns, restrained gestures, and a calm compositional balance. The viewer is invited to sense the season through mood and suggestion—an approach characteristic of refined Edo-period aesthetics.
About the Series: Three Summer Months(三夏の内)
Three Summer Months refers to the traditional Japanese division of summer into early, middle, and late phases. Each print in the series focuses on a specific month, expressed through seasonal flowers, customs, or emotional tone.
U no Hana-zuki corresponds to the fourth lunar month, when deutzia blossoms bloom. In ukiyo-e, such seasonal imagery was closely tied to poetry, fashion, and daily life, allowing viewers to engage with time and nature in an intimate, culturally resonant way.
Artist Profile: Utagawa Kunisada (1786–1865)
Utagawa Kunisada, also known as Toyokuni III, was one of the most prolific and influential ukiyo-e artists of the late Edo period. A leading master of the Utagawa school, he produced a vast body of work including actor portraits (yakusha-e), images of beautiful women (bijin-ga), and genre scenes drawn from contemporary life.
Kunisada was renowned for his expressive figures, elegant compositions, and sensitivity to fashion and seasonal themes. His works capture both the glamour and subtle emotional currents of Edo society, making him one of the defining artists of his era.
Condition
Toning: Overall toning due to age.
The toning is consistent with the age of the print and does not detract from its overall aesthetic or historical value.
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