编号 100625738

已不存在
须藤忠孝的高酒杯,带有凸点装饰 - 陶瓷 - Tadataka Sudo / 須藤忠隆 (b.1983) - 日本 - Heisei period (1989-present)
竞投已结束
6天前

须藤忠孝的高酒杯,带有凸点装饰 - 陶瓷 - Tadataka Sudo / 須藤忠隆 (b.1983) - 日本 - Heisei period (1989-present)

A delicate vessel whose surface glistens with subtle iridescence, inviting quiet contemplation. Description: This sake cup presents a gentle, rounded form tapering toward a distinctive metallic foot ring. The body features a soft, pale green ground with areas of muted blue, grey, and faint yellow tones that blend into one another with organic fluidity. The surface displays a crystalline, slightly iridescent quality where the glaze has pooled and flowed. The exterior is adorned with raised dot decoration arranged in flowing diagonal bands and clustered geometric patterns. These small, rounded protrusions appear in varying shades of white, green, yellow, and purple, forming stylised floral motifs with purple-centred blooms surrounded by yellow and white dots. The dot work creates a tactile, three-dimensional surface that catches the light at different angles. The interior is finished with a rich, even turquoise-green glaze that deepens toward the centre of the cup. The foot ring displays a lustrous metallic bronze finish with copper-toned reflections. The rim shows a clean, unglazed white edge that contrasts elegantly with both the exterior decoration and the turquoise interior. Cultural & Art Context: The raised dot technique, known in Japanese as itchin, has been employed by studio ceramicists to create tactile surfaces with decorative depth. The combination of soft celadon tones with metallic lustre on the foot reflects contemporary Japanese ceramic practice, where traditional glazing methods meet modern aesthetic sensibilities. A Guinomi is a traditional Japanese sake cup that is larger than an Ochoco (お猪口) and smaller than a teacup. It usually holds enough sake for several sips, allowing you to enjoy the flavor slowly. Made from materials like ceramic, glass, metal, wood, or lacquer, these cups come in many designs and are sometimes considered collectible art. The name comes from the idea of "gulping" or "grasping" the cup to drink. Guinomi are popular among sake lovers for their size and shape, which enhance the tasting experience. They are often used by pouring sake directly from the bottle, making them convenient for casual enjoyment. Collector Appeal: Works by contemporary Kasama-based potters are gaining recognition among collectors who appreciate refined craftsmanship and innovative surface treatments. This sake cup offers a harmonious balance of decorative intricacy and functional elegance. Artist Profile: Tadataka Sudo was born in 1983 in Kasama City, Ibaraki Prefecture, Japan, as the eldest son of the Tōfūsha pottery family. He graduated from Asagaya Art College in 2005. Sudo employs various techniques including copperplate transfer, inlay, itchin (trailing slip decoration), and lustre glazes. His work has been exhibited at venues including Takashimaya department stores in Shinjuku and Nihonbashi, and the Ibaraki Ceramic Art Museum. In 2019, he participated in the exhibition "Creatures Rhapsody – Ceramic Figures Today" at the Ibaraki Ceramic Art Museum. Shipping / Policy: Carefully packaged and shipped from Japan by Japan Post or DHL with tracking. If you purchase multiple items, combined shipping is available. Please contact us if needed. Import duties, VAT (or equivalent consumption tax), and any other fees are the responsibility of the buyer. Guarantee: Our shop is a licensed antiques dealer in Japan. We guarantee the authenticity of this work.

编号 100625738

已不存在
须藤忠孝的高酒杯,带有凸点装饰 - 陶瓷 - Tadataka Sudo / 須藤忠隆 (b.1983) - 日本 - Heisei period (1989-present)

须藤忠孝的高酒杯,带有凸点装饰 - 陶瓷 - Tadataka Sudo / 須藤忠隆 (b.1983) - 日本 - Heisei period (1989-present)

A delicate vessel whose surface glistens with subtle iridescence, inviting quiet contemplation.

Description:
This sake cup presents a gentle, rounded form tapering toward a distinctive metallic foot ring. The body features a soft, pale green ground with areas of muted blue, grey, and faint yellow tones that blend into one another with organic fluidity. The surface displays a crystalline, slightly iridescent quality where the glaze has pooled and flowed.
The exterior is adorned with raised dot decoration arranged in flowing diagonal bands and clustered geometric patterns. These small, rounded protrusions appear in varying shades of white, green, yellow, and purple, forming stylised floral motifs with purple-centred blooms surrounded by yellow and white dots. The dot work creates a tactile, three-dimensional surface that catches the light at different angles.
The interior is finished with a rich, even turquoise-green glaze that deepens toward the centre of the cup. The foot ring displays a lustrous metallic bronze finish with copper-toned reflections. The rim shows a clean, unglazed white edge that contrasts elegantly with both the exterior decoration and the turquoise interior.

Cultural & Art Context:
The raised dot technique, known in Japanese as itchin, has been employed by studio ceramicists to create tactile surfaces with decorative depth. The combination of soft celadon tones with metallic lustre on the foot reflects contemporary Japanese ceramic practice, where traditional glazing methods meet modern aesthetic sensibilities.
A Guinomi is a traditional Japanese sake cup that is larger than an Ochoco (お猪口) and smaller than a teacup. It usually holds enough sake for several sips, allowing you to enjoy the flavor slowly. Made from materials like ceramic, glass, metal, wood, or lacquer, these cups come in many designs and are sometimes considered collectible art. The name comes from the idea of "gulping" or "grasping" the cup to drink. Guinomi are popular among sake lovers for their size and shape, which enhance the tasting experience. They are often used by pouring sake directly from the bottle, making them convenient for casual enjoyment.

Collector Appeal:
Works by contemporary Kasama-based potters are gaining recognition among collectors who appreciate refined craftsmanship and innovative surface treatments. This sake cup offers a harmonious balance of decorative intricacy and functional elegance.

Artist Profile:
Tadataka Sudo was born in 1983 in Kasama City, Ibaraki Prefecture, Japan, as the eldest son of the Tōfūsha pottery family. He graduated from Asagaya Art College in 2005. Sudo employs various techniques including copperplate transfer, inlay, itchin (trailing slip decoration), and lustre glazes. His work has been exhibited at venues including Takashimaya department stores in Shinjuku and Nihonbashi, and the Ibaraki Ceramic Art Museum. In 2019, he participated in the exhibition "Creatures Rhapsody – Ceramic Figures Today" at the Ibaraki Ceramic Art Museum.

Shipping / Policy:
Carefully packaged and shipped from Japan by Japan Post or DHL with tracking.
If you purchase multiple items, combined shipping is available. Please contact us if needed.
Import duties, VAT (or equivalent consumption tax), and any other fees are the responsibility of the buyer.

Guarantee:
Our shop is a licensed antiques dealer in Japan.
We guarantee the authenticity of this work.

竞投已结束
Sandra Wong
专家
估价  € 150 - € 200

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