Dogon artist's ability to rearrange the human body to create a structured composition of geometric elements is epitomized by this figure. A central cylinder constitutes both torso and seat; perfectly symmetrical L-shaped arms project in opposite directions from its midpoint to depict the bent legs and arms. This figure raises its arms to cover its face. Since interpretations of this gesture based on Dogon myth have proved to be problematic, a more accurate meaning may perhaps be found by examining the gestures of everyday and ritual life among the Dogon. Grieving Dogon women, like people all over the world, bury their faces in their hands at funerals (Griaule, 1938: 281). Dogon figures are often placed on family ancestral altars (vageu), and it is possible that some may express the idea of mourning for the deceased relative through the gesture of covering the face. It has been suggested that kneeling female figures may similarly convey the family's grief. Pierre Langlois Collection, Paris Jean Roudillon Collection, Paris