ITEM: Cista fragment with Sphinx decoration MATERIAL: Bronze CULTURE: Etruscan PERIOD: 4th - 3rd Century B.C DIMENSIONS: 32 mm x 57 mm x 25 mm CONDITION: Good condition PROVENANCE: Ex European private collection, Ex ALARA S.P.R.L (1976), Ex F.K. collection, 1972 - 1976 Comes with Certificate of Authenticity and European Union export license If you bid outside the European Union and win the item, we will have to apply for an export licence for your country and shipping will take 3 to 5 weeks. An Etruscan cista fragment featuring a Sphinx decoration offers a window into the specialized bronze-working industry centered in Palestrina (ancient Praeneste) during the 4th and 3rd centuries BCE. A cista was a cylindrical lidded container used primarily by noblewomen to hold toiletries, mirrors, and cosmetics. While the full vessels were often supported by feline-shaped feet and topped with figural handles, the surface of the bronze body was frequently decorated with incised or relief imagery. A fragment featuring a Sphinx highlights the Etruscan fascination with "orientalizing" motifs—monsters and mythical hybrids borrowed from Near Eastern and Greek art and reinterpreted through a local lens. The Sphinx motif on these fragments typically serves a dual role as both a protective guardian and a symbol of enigma. In Etruscan art, the Sphinx is often depicted with a human female head, a lion’s body, and powerful bird wings, rendered with fluid, calligraphic lines that emphasize the creature's hybrid nature. When found on a cosmetic box, the Sphinx might have been viewed as a guardian of the secrets of the feminine toilette or as a "psychopomp" figure, mirroring the Etruscan belief that beauty and the ritual of preparation were linked to one's social and spiritual identity. The execution of the wings and the posture of the creature demonstrate the high level of skill possessed by Etruscan engravers, who managed to convey muscle and movement on a flat bronze surface. Technically, these fragments are significant for their incised decorative technique, which involved using a sharp burin to cut precise lines into the bronze. Once the engraving was complete, the lines were often filled with a white substance or paste to make the imagery "pop" against the dark metallic background. Today, these fragments are highly prized by collectors and museums because they contain concentrated examples of Etruscan narrative style. For an auction house or a scholar, a cista fragment with a Sphinx is not merely a piece of broken metal; it is a survivor of a luxury trade that once connected the aristocratic households of Italy to the broader mythological traditions of the ancient Mediterranean.