编号 101650542

一件木雕作品 - 鲍勒 - 象牙海岸 (没有保留价)
编号 101650542

一件木雕作品 - 鲍勒 - 象牙海岸 (没有保留价)
A male seated Baule sculpture, Yamoussoukro region, Côte d’Ivoire, seated on a stool, very elongated body, his left hand touches his waist, his right hand holds an egg, long neck, long head, a two-part goatee, sophisticated hairstyle, the egg painted white; very fine age cracks, a beautiful dark patina.
This seated male figure represents a hallmark of Baule sculptural practice in central Côte d’Ivoire, where wooden figures mediate ritual, ethical, and social concerns. Baule seated figures frequently serve as commemorative or ancestral icons, embodying moral ideals, lineage authority, or exemplary comportment within domestic and shrine contexts.
The figure is depicted seated on a low stool, a posture denoting stability, dignity, and social presence. The addition of a held egg is significant: in Baule symbolic systems, eggs are associated with fertility, potential, and continuity, often acting as metaphors for life, renewal, or spiritual receptivity. The gesture of holding the egg reinforces the figure’s role as an intermediary between human and spiritual domains, emphasizing care, responsibility, and moral vigilance.
Stylistically, the figure demonstrates Baule principles of refined proportion, delicate facial modeling, and compositional balance. Features such as the high forehead, downcast eyes, and carefully modeled musculature express composure and introspection, consistent with cultural ideals of wisdom, restraint, and ethical comportment. The emphasis on the head (okɔ́) as the locus of moral and spiritual authority aligns with broader Akan and Baule aesthetic theory.
From an academic and museological perspective, this statuette exemplifies Baule integration of form, symbolism, and ritual function. It is a functional object whose meaning is generated through gesture, posture, and symbolic attributes (here, the egg), rather than narrative depiction. Such works illustrate how Baule sculpture operates simultaneously as artistic expression, moral pedagogy, and spiritual technology, making the figure both aesthetically compelling and socially efficacious.
CAB33762
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