编号 101862707

已售出
在塞拉利昂的孟德地区预订口罩  (没有保留价)
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2周前

在塞拉利昂的孟德地区预订口罩 (没有保留价)

Book: Representing Woman: Sande Masquerades of the Mende of Sierra Leone by Ruth B. Phillips (Author) Publisher ‏ : ‎Museum of Univ of California Publication date ‏ : ‎ January 1, 1995 Language ‏ : ‎ English Print length ‏ : ‎ 200 pages c.250 b/w & colour illus., maps, index, glossary, bibliography. Soft cover – January 1, 1995 Condition: as new For many years the UCLA Fowler Museum of Cultural History has held a substantial group of masks from the Mende and related peoples of Sierra Leone and neighboring Liberia. Like most African art in Western collections, this material entered the museum with little or no field documentation. When Dr. Ruth Phillips submitted a provocative and insightful manuscript on the naming of Mende masks to the UCLA journal African Arts, I became intrigued with the possibility of exploring the topic further in the context of a more expansive publication. Dr. Phillips rose to the occasion. She took the opportunity to reevaluate recent scholarship on Sande masquerades and placed it more firmly in the context of late twentieth century thinking about African art and anthropology.

编号 101862707

已售出
在塞拉利昂的孟德地区预订口罩  (没有保留价)

在塞拉利昂的孟德地区预订口罩 (没有保留价)

Book:
Representing Woman: Sande Masquerades of the Mende of Sierra Leone
by Ruth B. Phillips (Author)
Publisher ‏ : ‎Museum of Univ of California
Publication date ‏ : ‎ January 1, 1995
Language ‏ : ‎ English
Print length ‏ : ‎ 200 pages
c.250 b/w & colour illus., maps, index, glossary, bibliography.
Soft cover – January 1, 1995
Condition: as new

For many years the UCLA Fowler Museum of Cultural History has held a substantial group of masks from the Mende and related peoples of Sierra Leone and neighboring Liberia. Like most African art in Western collections, this material entered the museum with little or no field documentation. When Dr. Ruth Phillips submitted a provocative and insightful manuscript on the naming of Mende masks to the UCLA journal African Arts, I became intrigued with the possibility of exploring the topic further in the context of a more expansive publication. Dr. Phillips rose to the occasion. She took the opportunity to reevaluate recent scholarship on Sande masquerades and placed it more firmly in the context of late twentieth century thinking about African art and anthropology.


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