编号 101979334

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花卉与昆虫画(秋葵草虫图) - 纸 - Noro Kaiseki  (野呂介石) - 日本 - Edo Period (1600-1868)
最终出价
€ 37
4天前

花卉与昆虫画(秋葵草虫图) - 纸 - Noro Kaiseki (野呂介石) - 日本 - Edo Period (1600-1868)

About Noro Kaiseki Real Name and Art Names: His real name was Takashi (隆). His courtesy name was Shōrei (松齡). In addition to “Kaiseki (介石),” he used many art names, including Aibai (矮梅居), Shipeki (四碧斎), and Kōrin (香林). Artistic Background: From an early age, he showed a strong interest in painting. He first studied under Kuwayama Gyūshū (桑山玉洲) in Kishu, and later became a disciple of the great Nanga master Ike no Taiga (池大雅) in Kyoto. He also deepened his knowledge of Confucianism and natural studies, which greatly enriched his literati painting. Art Style: His early works were rooted in orthodox Nanga conventions, but he gradually developed a gentle, clear, and elegant style of his own. He excelled in landscape painting and ink bamboo, and was particularly famous for his depictions of the Nachi Waterfall (那智滝) in his native Kishu. His brushwork was calm and refined, reflecting the scholarly spirit of literati art. Personal Connections: He maintained close friendships with leading literati and intellectuals of his time, such as Rai San'yō (頼山陽), Tanomura Chikuden (田能村竹田), and Ōkubo Shibutsu (大窪詩仏). As an official painter to the Kishu Domain, he was also deeply involved in the cultural circles of his native region. Disciples: Among his students were many who carried on the Kishu Nanga tradition, including Nagatani Chōshun and Kawano Shūgetsu. Collections: His works are held in public collections including the Wakayama Prefectural Museum of Art, the Tokyo National Museum, and the Idemitsu Museum of Arts.

编号 101979334

已售出
花卉与昆虫画(秋葵草虫图) - 纸 - Noro Kaiseki  (野呂介石) - 日本 - Edo Period (1600-1868)

花卉与昆虫画(秋葵草虫图) - 纸 - Noro Kaiseki (野呂介石) - 日本 - Edo Period (1600-1868)

About Noro Kaiseki

Real Name and Art Names:
His real name was Takashi (隆). His courtesy name was Shōrei (松齡). In addition to “Kaiseki (介石),” he used many art names, including Aibai (矮梅居), Shipeki (四碧斎), and Kōrin (香林).

Artistic Background:
From an early age, he showed a strong interest in painting. He first studied under Kuwayama Gyūshū (桑山玉洲) in Kishu, and later became a disciple of the great Nanga master Ike no Taiga (池大雅) in Kyoto. He also deepened his knowledge of Confucianism and natural studies, which greatly enriched his literati painting.

Art Style:
His early works were rooted in orthodox Nanga conventions, but he gradually developed a gentle, clear, and elegant style of his own. He excelled in landscape painting and ink bamboo, and was particularly famous for his depictions of the Nachi Waterfall (那智滝) in his native Kishu. His brushwork was calm and refined, reflecting the scholarly spirit of literati art.

Personal Connections:
He maintained close friendships with leading literati and intellectuals of his time, such as Rai San'yō (頼山陽), Tanomura Chikuden (田能村竹田), and Ōkubo Shibutsu (大窪詩仏). As an official painter to the Kishu Domain, he was also deeply involved in the cultural circles of his native region.

Disciples:
Among his students were many who carried on the Kishu Nanga tradition, including Nagatani Chōshun and Kawano Shūgetsu.

Collections:
His works are held in public collections including the Wakayama Prefectural Museum of Art, the Tokyo National Museum, and the Idemitsu Museum of Arts.

最终出价
€ 37

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