带有伊斯兰文字的花瓶 - 黄铜, 铜, 银 - 中东 - 19世纪末





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卖家的描述
一件引人注目且地道的卡扎尔时代(晚19世纪)铜质花瓶,采用著名的花纹刻花技法(ghalamzani)精心手工刻花。这枚优雅的器皿呈典型的菩提形状,口部张展,颈部窄细,球状主体安置在微微抬起的底座上。\n\n表面丰富地装饰着错综复杂的阿拉伯纹饰镶框,内含流畅的阿拉伯书法——很可能是诗句或祈祷文,与精致的花卉和几何纹样相互交织。微妙的银镶嵌(原装且完整)点缀在刻线之上,与温暖的陈年铜光形成鲜明对比,夺目迷人。\n\n状态:\nExcellent antique condition with natural age-related patina. No dents, repairs, or restoration. Silver inlays fully preserved. Non-magnetic – confirming solid brass composition (copper-zinc alloy), as expected for high-quality metalwork of this period.\n\n出处:\nPrivate European collection; acquired in Lebanon, Beirut, 1970s.\n\n真伪与意义:\nThis piece exemplifies the pinnacle of Qajar metalcraft, where calligraphy, symmetry, and luxury converged in domestic art. Comparable examples are held in the Victoria & Albert Museum and the Museum of Islamic Art, Doha.\n\nWorldwide insured shipping
一件引人注目且地道的卡扎尔时代(晚19世纪)铜质花瓶,采用著名的花纹刻花技法(ghalamzani)精心手工刻花。这枚优雅的器皿呈典型的菩提形状,口部张展,颈部窄细,球状主体安置在微微抬起的底座上。\n\n表面丰富地装饰着错综复杂的阿拉伯纹饰镶框,内含流畅的阿拉伯书法——很可能是诗句或祈祷文,与精致的花卉和几何纹样相互交织。微妙的银镶嵌(原装且完整)点缀在刻线之上,与温暖的陈年铜光形成鲜明对比,夺目迷人。\n\n状态:\nExcellent antique condition with natural age-related patina. No dents, repairs, or restoration. Silver inlays fully preserved. Non-magnetic – confirming solid brass composition (copper-zinc alloy), as expected for high-quality metalwork of this period.\n\n出处:\nPrivate European collection; acquired in Lebanon, Beirut, 1970s.\n\n真伪与意义:\nThis piece exemplifies the pinnacle of Qajar metalcraft, where calligraphy, symmetry, and luxury converged in domestic art. Comparable examples are held in the Victoria & Albert Museum and the Museum of Islamic Art, Doha.\n\nWorldwide insured shipping

