瓦 - 十七世纪 - 特兰西瓦尼亚的炉灶瓷砖





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来自特兰西瓦尼亚的炉灶瓷砖,17世纪,陶土材质,尺寸27×18×4 cm,重量1.1 kg,状况良好,带有轻微磨损。
卖家的描述
后中世纪的特兰西瓦尼亚陶土炉瓦 - Cahla
These tiles were used to build large, ornate ceramic stoves that heated homes, monasteries, and noble residences from the 14th through the 19th centuries.
The relief on this tile features several distinct folk and religious motifs:
The Central Vase/Flowerpot: The central figure looks like a stylized vase or "Life-Giving Spring" (an izvor). In Romanian folk art, this often represents the "Tree of Life" or prosperity.
Floral Motifs (Tulips and Lilies): You can see large, stylized flowers blooming from the central stem. The tulip was a very popular motif in Transylvanian and Moldavian tiles starting in the 17th century, influenced by Ottoman and Western Baroque styles.
The Sun/Star: At the very top, there is a prominent sunburst or multi-petaled flower, which was a common protective symbol in rural households.
Border: The "toothed" or saw-tooth border is a classic characteristic of tiles from the 17th to 18th centuries.
The Back of the Tile (The "Cupa")
The last image is particularly interesting for historians:
Soot and Carbon: The dark, blackened interior shows that this tile sat directly against the heat source for decades (or centuries).
Structure: These tiles weren't flat; they were box-like. The "box" (the cupa) on the back helped create an air pocket that held and radiated heat long after the fire in the stove went out.
后中世纪的特兰西瓦尼亚陶土炉瓦 - Cahla
These tiles were used to build large, ornate ceramic stoves that heated homes, monasteries, and noble residences from the 14th through the 19th centuries.
The relief on this tile features several distinct folk and religious motifs:
The Central Vase/Flowerpot: The central figure looks like a stylized vase or "Life-Giving Spring" (an izvor). In Romanian folk art, this often represents the "Tree of Life" or prosperity.
Floral Motifs (Tulips and Lilies): You can see large, stylized flowers blooming from the central stem. The tulip was a very popular motif in Transylvanian and Moldavian tiles starting in the 17th century, influenced by Ottoman and Western Baroque styles.
The Sun/Star: At the very top, there is a prominent sunburst or multi-petaled flower, which was a common protective symbol in rural households.
Border: The "toothed" or saw-tooth border is a classic characteristic of tiles from the 17th to 18th centuries.
The Back of the Tile (The "Cupa")
The last image is particularly interesting for historians:
Soot and Carbon: The dark, blackened interior shows that this tile sat directly against the heat source for decades (or centuries).
Structure: These tiles weren't flat; they were box-like. The "box" (the cupa) on the back helped create an air pocket that held and radiated heat long after the fire in the stove went out.

