Julien Gauthier

独家精选 - 非洲艺术拍卖

在非洲艺术中，埃克波社群的部族面具及用品被认为是伊比比奥人中的杰作。鼓乐也是埃克波仪式的重要元素。该区域的木雕极为细致，艺术家们也往往能够捕捉恶灵的美感。\n\n村落由 Ekpo Ndem Isong（村长群体）及家族的延伸长辈领导。他们的决定由社会成员作出，这些成员扮演祖先信使的角色。埃克波成员在执行治安职责时仍佩戴面具，尽管他们的身份几乎总是为人所知，但来自祖先一派的报复恐惧仍在。超出他们的社会界限，这可被描述为警察暴力。\n\n所有伊比比奥男性都可入会，但进入政治上有影响力的阶层仍需一定财富。\n\n表面覆着厚厚的包浆，彩绘保存完好。\n\nProvenance: Raquel Montagut Gallery, Barcelona\n                     Argiles Collection, Barcelona

In African art, the tribal masks and accessories of the Ekpo society constitute the greatest works among the Ibibio. Drums and music are also important elements of Ekpo ceremonies. The wooden sculpture of this region is very detailed and the artists are also likely to capture the beauty of the evil spirits.

The villages are led by Ekpo Ndem Isong (group of village elders) and extended heads of families. Their decisions are made by the members of society who play the role of the ancestors' messengers. Ekpo members are still masked in the exercise of their policing duties, although their identity is almost always known, fear of retaliation from the party of ancestors. beyond their social limits, which could be described as police brutality. Membership is open to all Ibibio men, but nevertheless, there is a certain level of wealth to access politically influential ranks. Crusted patina with well preserved polychromy.

Provenance: Raquel Montagut Gallery, Barcelona
                     Argiles Collection, Barcelona

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ibibio 面具 - 伊比比奥语 - 尼日利亚

木材 - 良好状态

西班牙

verified

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Indigenous object name

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材质

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尼日利亚伊比比奥族面具，伊比比奥文化木质，来源自 Raquel Montagut Gallery Barcelona 与 Argiles Collection Barcelona，尺寸高38 cm 宽20 cm，并带支架，原件，状况良好。

ibibio 面具 - 伊比比奥语 - 尼日利亚

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尼日利亚伊比比奥族面具，伊比比奥文化木质，来源自 Raquel Montagut Gallery Barcelona 与 Argiles Collection Barcelona，尺寸高38 cm 宽20 cm，并带支架，原件，状况良好。

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