编号 103687569

已售出
一套八个日本陶瓷面具——翁面、火吹面、般若面及其他民俗与戏剧面具。 - 瓷 - 日本 - Shōwa period (1926-1989)
最终出价
€ 34
没有保留价
9周前

一套八个日本陶瓷面具——翁面、火吹面、般若面及其他民俗与戏剧面具。 - 瓷 - 日本 - Shōwa period (1926-1989)

– A coherent group of eight Japanese ceramic masks in the styles of Noh theatre and Japanese folk tradition – Includes the smiling Okina (old man), the comic Hyottoko, the demonic Hannya, and a range of other expressive faces – Wall-mountable for display, ideal for a hallway, study, or any interior wanting a strong East Asian accent Summary: A characterful set of eight Japanese masks in glazed ceramic, drawing on both the formal Noh-theatre tradition and the broader vocabulary of Japanese festival and folk masks. The line-up includes the dignified Okina, the comically pursed Hyottoko, the snarling horned Hannya, and several further faces that span the emotional register of Japanese popular culture. Wall-mounting ready, the group makes an immediate visual statement and appeals strongly to European collectors of Asian decorative interiors and folk art. The Japanese mask occupies a fascinating cultural position: at once a serious ritual object (in Noh theatre, in shrine festivals, in folk performance) and a familiar everyday image (printed on souvenirs, worn at fairs, given to children). The faces in this set evoke that whole range. Okina, the smiling old man, is the most sacred mask in the Noh repertoire and is associated with prayer for prosperity and long life. Hyottoko, with his pursed lips and twisted features, is the comic foil of village festivals. Hannya, with horns and a mouth open in anguish, embodies the female figure consumed by jealousy and rage – one of the most arresting images in all of Japanese theatre. Worked in glazed ceramic rather than the traditional wood, the masks have a pleasant tactile weight in the hand and a slightly softer, more painterly surface than carved equivalents. Each is finished with attention to expression: brow lines, eye sockets, the colour of lips and gums. Hung as a group, they create what the Japanese call yose-mura – a "gathering of faces" – which works particularly well in a stairwell, hallway, or dedicated wall in a study. Individually, each mask works as a focal point above a low cabinet or in a glazed vitrine. They pair naturally with Japanese woodblock prints, ceramics, or simply a clean white wall. The set is described as unused and appears to be in very good condition, with no significant damage to the glaze and the colour palette intact across all eight pieces. A versatile and visually rich group, useful as both a collection in itself and a starting point for further acquisition. Shipping & Handling We ship worldwide via DHL or EMS with full insurance and tracking. Professional packing ensures safe arrival; combined shipping available for multiple wins. Local customs duties are the buyer’s responsibility. Seller Guarantee We specialise in authentic Japanese ceramics and guarantee this piece’s authenticity. Questions welcome – we reply within 24 hours. 1559

编号 103687569

已售出
一套八个日本陶瓷面具——翁面、火吹面、般若面及其他民俗与戏剧面具。 - 瓷 - 日本 - Shōwa period (1926-1989)

一套八个日本陶瓷面具——翁面、火吹面、般若面及其他民俗与戏剧面具。 - 瓷 - 日本 - Shōwa period (1926-1989)


– A coherent group of eight Japanese ceramic masks in the styles of Noh theatre and Japanese folk tradition
– Includes the smiling Okina (old man), the comic Hyottoko, the demonic Hannya, and a range of other expressive faces
– Wall-mountable for display, ideal for a hallway, study, or any interior wanting a strong East Asian accent

Summary: A characterful set of eight Japanese masks in glazed ceramic, drawing on both the formal Noh-theatre tradition and the broader vocabulary of Japanese festival and folk masks. The line-up includes the dignified Okina, the comically pursed Hyottoko, the snarling horned Hannya, and several further faces that span the emotional register of Japanese popular culture. Wall-mounting ready, the group makes an immediate visual statement and appeals strongly to European collectors of Asian decorative interiors and folk art.

The Japanese mask occupies a fascinating cultural position: at once a serious ritual object (in Noh theatre, in shrine festivals, in folk performance) and a familiar everyday image (printed on souvenirs, worn at fairs, given to children). The faces in this set evoke that whole range. Okina, the smiling old man, is the most sacred mask in the Noh repertoire and is associated with prayer for prosperity and long life. Hyottoko, with his pursed lips and twisted features, is the comic foil of village festivals. Hannya, with horns and a mouth open in anguish, embodies the female figure consumed by jealousy and rage – one of the most arresting images in all of Japanese theatre.

Worked in glazed ceramic rather than the traditional wood, the masks have a pleasant tactile weight in the hand and a slightly softer, more painterly surface than carved equivalents. Each is finished with attention to expression: brow lines, eye sockets, the colour of lips and gums.

Hung as a group, they create what the Japanese call yose-mura – a "gathering of faces" – which works particularly well in a stairwell, hallway, or dedicated wall in a study. Individually, each mask works as a focal point above a low cabinet or in a glazed vitrine. They pair naturally with Japanese woodblock prints, ceramics, or simply a clean white wall.

The set is described as unused and appears to be in very good condition, with no significant damage to the glaze and the colour palette intact across all eight pieces.

A versatile and visually rich group, useful as both a collection in itself and a starting point for further acquisition.

Shipping & Handling
We ship worldwide via DHL or EMS with full insurance and tracking. Professional packing ensures safe arrival; combined shipping available for multiple wins. Local customs duties are the buyer’s responsibility.

Seller Guarantee
We specialise in authentic Japanese ceramics and guarantee this piece’s authenticity. Questions welcome – we reply within 24 hours.

1559

最终出价
€ 34
没有保留价

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