– A samurai-class jingasa in the ajiro construction, woven and lacquered in the Edo manner – Glossy black-lacquered exterior with a gold-painted family crest (kamon) and a delicate gilded rim – Brilliant vermilion interior – a striking, museum-style display object as well as a piece of living history Summary: An Edo-period jingasa, the lightweight ceremonial and travelling helmet worn by samurai when a full kabuto was unnecessary. The body is built in ajiro-zukuri – fine basketwork of split bamboo or thin wood – then sealed in successive coats of black urushi lacquer. The exterior is finished with a gold-painted family crest and a slim gilded edge; the underside is lacquered in deep vermilion. A handsome, period-correct example with strong visual impact for European collectors of samurai material culture. The jingasa belongs to a quieter chapter of samurai life than the dramatic battle helmet. By the long peace of the Edo period (1603–1868), it had become the everyday headgear of the warrior class on the road, on official duty, and at formal but non-combat occasions. Lacquered, light, and stamped with the wearer’s crest, it spoke clearly of rank without ostentation. Construction begins with the ajiro – a tightly interwoven core whose diagonal lattice pattern sometimes shows softly through the surface lacquer, the way grain shows through fine French polish. Layer upon layer of black urushi was then applied and burnished to a deep, mirror-like sheen. The kamon, painted in real gold, served the same identifying function as a coat of arms in European heraldry. The vermilion interior is more than decoration. Inside the helmets and lacquerwork of the samurai class, red was the colour of vitality and protection – a private flash of brilliance against the disciplined black exterior. Combined with the gold rim, it produces the elegant black/gold/red triad that is so distinctly Japanese. In a modern interior, this jingasa works beautifully on a low display stand in a hallway, reading nook, or library, where its sculptural curvature and lacquer surface play against soft natural light. It pairs naturally with antique katana fittings, Japanese woodblock prints, or simply an empty wall. The piece appears to be in very good condition for its age, with the lacquer and gilding well preserved and only the minor signs of life consistent with two centuries of careful handling. A genuine artefact of the late samurai era, both historically meaningful and visually arresting. Shipping & Handling We ship worldwide via DHL or EMS with full insurance and tracking. Professional packing ensures safe arrival; combined shipping available for multiple wins. Local customs duties are the buyer’s responsibility. Seller Guarantee We specialise in authentic Japanese lacquerware and guarantee this piece’s authenticity. Questions welcome – we reply within 24 hours.