Julien Gauthier

新藏家的非洲艺术

这面面具散发着独特的优雅，具备极高的塑性美，表面的扭曲甜美的弧线与 fleeting 的线条在使用留下的光泽中格外醒目。它有杏仁状、倾斜、半闭的眼睛，隐藏在细长的脸庞上；柔和起伏的轮廓自圆顶状的额头延伸至鼻尖，微微向上抬起，在张开的口部之上露出牙齿，带着优雅而含蓄的微笑，与眼睛的形状相得益彰。面具的额头和耳垂上有精致的刻痕，发髻呈现出名为“kongolo”的古老竖向发髻，轻微向后倾斜，沿着轮廓的微弯向后，顶端扎束。此面具出自一位天才雕塑家的手笔。材料为极硬的木材，带有大量婴时（Baoulé）影响的迹象，尤其是刻痕和微微弯曲的眉毛。发髻的处理也显示出一位技艺高超的匠心。 

来源：Berthe Hartert 收藏 
Argiles 收藏，巴塞罗那

This mask has a particular elegance, an outstanding plasticity with morbidly sweetly arched surfaces and fleeting lines, highlighted by a brilliant patina of use. It has almond-shaped, slanted, half-closed eyes on a subtle, elongated face; the delicately undulating profile line runs uninterrupted from the domed forehead to the tip of the nose, slightly raised upwards, above an open mouth, showing the teeth in a graceful, subtle smile, accentuated by the shape of the eyes. The mask has delicate scarifications on the forehead and earlobes and an elaborate vertical bun hairstyle called “kongolo,” worn in ancient times, slightly tilted back following the slight curve of the profile and tied at the top. This mask is the work of a sculptor of genius. It is made of very hard wood, with numerous signs of Baoulé influence, particularly the scarifications and slightly arched eyebrows. The treatment of the hairstyle also reveals the hand of a virtuoso.

Provenance: Berthe Hartert collection
Argiles collection, Barcelona


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面具 guro - Guro - 象牙海岸

Late 20th century - 木 - 良好状态

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Guro 面具，一件来自科特迪瓦的木质面具，属于 Guro 人群，年代为20世纪末，高约34 cm，来自私人收藏，状态良好且为原作。

面具 guro - Guro - 象牙海岸

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Guro 面具，一件来自科特迪瓦的木质面具，属于 Guro 人群，年代为20世纪末，高约34 cm，来自私人收藏，状态良好且为原作。

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