Silvia Possanza

雕塑：形式与看法

安东尼奥·坎皮洛
Editado por la CAM en 2006, caja de ahorros del mediterraneo .br>Gran tamaño
ca 27cm
安东尼奥·坎皮洛的雕塑弥合了古典地中海传统与现代大师大胆实验之间的鸿沟，通过把人体塑造成一个体量与情感的风景。就像埃杜阿多·奇里达或巴勃罗·毕加索一样，坎皮洛探索物质的结构重量与空间的位移，然而他在铜像中注入一种诗意的抒情，令人联想到萨尔瓦多·达利的梦幻般优雅与里波列斯的触觉活力。虽然他的作品给人 timeless 的感觉，但在概念上与当代偶像保持着同频：它回响着安迪·沃霍尔将日常形象转化为纪念性图标的能力，映照着巴斯奎亚特笔触中的原始、粗野质感，并与班克斯的精神相契合——通过回收公共空间，让高艺术触及街头灵魂。
树脂，表面镶层为层压青铜与大理石

Antonio Campillo
Editado por la CAM en 2006, caja de ahorros del mediterraneo .br>Gran tamaño
ca 27cm
The sculptures of Antonio Campillo bridge the gap between classical Mediterranean tradition and the bold experimentation of modern masters by treating the human figure as a landscape of volume and emotion. Much like Eduardo Chillida or Pablo Picasso, Campillo explores the tectonic weight of matter and the displacement of space, yet he infuses his bronzes with a poetic lyricism reminiscent of Salvador Dalí’s dreamlike elegance and Ripollés’ tactile vitality. While his work feels timeless, it shares a conceptual pulse with contemporary icons: it echoes Andy Warhol’s ability to transform the everyday figure into a monumental icon, mirrors the visceral, raw textures found in the strokes of Basquiat, and aligns with Banksy’s ethos by reclaiming public spaces to make high art accessible to the soul of the street.
Resin with finished laminated bronze and marble



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Antonio Campillo (1926-2009) - 雕塑, Seated Dancer - 27 cm - 树脂，铜色表面处理 - 2005

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