This exceptional silver floral wreath tiara (crown) with matching brooch, crafted by the renowned Warsaw workshop of Teodor (August Teodor) Werner during the late Russian Empire period (Warsaw under Russian administration, circa 1899–1904), represents a pinnacle of Polish silver craftsmanship from the turn of the 20th century. Hallmarks and Authenticity The pieces bear clear 84 zolotniki marks (equivalent to .875 silver fineness, the standard for high-quality Russian Imperial silver), along with the maker’s mark associated with the Werner firm and Warsaw assay office marks from the period of assayer Aleksandr Romanov (or contemporaries). The screw-thread closure on the tiara and the detailed construction of the brooch further confirm period authenticity and superior handwork. Dimensions and Weight Tiara (Crown): Approximately 12 cm wide when worn; lightweight yet substantial at 42.8 g total for the crown alone. The matching brooch complements the set perfectly in scale and motif. Design and Craftsmanship The tiara and brooch feature an exquisitely modeled naturalistic floral and foliate design inspired by Polish folk traditions and Art Nouveau influences. Delicate silver stems, leaves, buds, and blossoms intertwine in a continuous wreath, with individually hammered and chased elements creating remarkable depth and movement. Small spherical accents (likely natural pearls or silver beads) add luminous highlights. The reverse reveals masterful hand construction: coiled wire stems, riveted joins, and a secure screw-thread mechanism on the tiara for adjustable fit. The brooch incorporates a graceful ribbon bow with trailing tassels and a pin mechanism typical of the era. The overall aesthetic evokes a bridal wianek (Polish flower crown) or celebratory headdress, rendered in precious metal with exceptional fluidity and botanical realism. The dark patina in recessed areas enhances the three-dimensional quality, while polished highlights catch the light beautifully—ideal for both display and wear. Historical Context Werner, a prominent Warsaw gold- and silversmith (active in partnership with firms such as Norblin, Bracia Buch i T. Werner), produced refined objects for the Polish and Russian elite. His workshop excelled in intricate floral and figural silverwork. Pieces from this period, bearing the 84 standard and Warsaw marks, are increasingly sought after by collectors of Imperial Russian and Polish silver, Art Nouveau jewelry, and folk-inspired headdresses. Condition The set is in excellent antique condition, with only minor surface wear and attractive natural patina consistent with age. No significant dents, repairs, or losses are present; the mechanisms function smoothly. This rare surviving matching parure—a wearable crown tiara paired with its original brooch—embodies the elegance of fin-de-siècle Warsaw silver. It would form a centerpiece in any important collection of Russian Imperial silver, Polish jewelry, or Art Nouveau/ folk art objects.