圣物龛 Fang - Fang - 加蓬





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卖家的描述
Origin: Gabon
Tribe name: Fang
Material: Wood.
Dimension: 60 cm
Shipping mode: Colissimo within 24-48h, open
This decorative sculpture is a magnificent example of a Fang reliquary figure, traditionally called Byeri. Originating from Gabon and southern Cameroon, the Fang people produced these statues to protect the bones of venerated ancestors, kept in bark boxes (called nsek-byeri).
The Head and Face: It is the central element of the sculpture. The forehead is broad, bulging and smooth, contrasting with the eyes, which are often inlaid with metal (brass or copper), giving the gaze a particular intensity. The features are stylized: the eyebrows are arched and the nose is often straight and fine.
Geometric motifs carved on the forehead, characteristic of Fang aesthetics, are observed. These marks used to indicate status or clan affiliation.
The Body: The posture is frontal, rigid and balanced, evoking meditation. The arms are positioned to hold a ritual object (often a cup or container), suggesting an offering or ceremonial act.
Ornaments: The presence of metal bands (brass) on the arms and around the neck, as well as at the navel, underscores the prestige of the object.
The Guardian: The Byeri is not a representation of a specific individual, but an incarnation of the spirit of ancestors. These statues were placed above reliquaries to ward off negative influences and watch over the family lineage.
Ancestor Worship: The figure represents continuity and wisdom. In times of crisis, illness, or for important decisions, the reliquary guardian could consult these figures. They served as a contact point between the world of the living and that of the ancestors.
The Fang statues have had a profound impact on Western modern art. In the early 20th century, artists such as Pablo Picasso, André Derain, and Georges Braque were fascinated by Fang style. They were particularly captivated by the ability of Fang sculptors to simplify the human form into geometric volumes (spheres, cylinders) while preserving immense emotional and spiritual charge.
Origin: Gabon
Tribe name: Fang
Material: Wood.
Dimension: 60 cm
Shipping mode: Colissimo within 24-48h, open
This decorative sculpture is a magnificent example of a Fang reliquary figure, traditionally called Byeri. Originating from Gabon and southern Cameroon, the Fang people produced these statues to protect the bones of venerated ancestors, kept in bark boxes (called nsek-byeri).
The Head and Face: It is the central element of the sculpture. The forehead is broad, bulging and smooth, contrasting with the eyes, which are often inlaid with metal (brass or copper), giving the gaze a particular intensity. The features are stylized: the eyebrows are arched and the nose is often straight and fine.
Geometric motifs carved on the forehead, characteristic of Fang aesthetics, are observed. These marks used to indicate status or clan affiliation.
The Body: The posture is frontal, rigid and balanced, evoking meditation. The arms are positioned to hold a ritual object (often a cup or container), suggesting an offering or ceremonial act.
Ornaments: The presence of metal bands (brass) on the arms and around the neck, as well as at the navel, underscores the prestige of the object.
The Guardian: The Byeri is not a representation of a specific individual, but an incarnation of the spirit of ancestors. These statues were placed above reliquaries to ward off negative influences and watch over the family lineage.
Ancestor Worship: The figure represents continuity and wisdom. In times of crisis, illness, or for important decisions, the reliquary guardian could consult these figures. They served as a contact point between the world of the living and that of the ancestors.
The Fang statues have had a profound impact on Western modern art. In the early 20th century, artists such as Pablo Picasso, André Derain, and Georges Braque were fascinated by Fang style. They were particularly captivated by the ability of Fang sculptors to simplify the human form into geometric volumes (spheres, cylinders) while preserving immense emotional and spiritual charge.

