Mitch Richmond (1983) - Carpe Brutum Nero





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Mitch Richmond (1983),手签雕塑,名称 Carpe Brutum Nero,使用手铸混凝土石混合材料制成,来自欧洲,限量 300 件,尺寸宽 12 cm 高 14 cm 深 19 cm,重量 1.6 kg,状态良好,背面有不锈钢证书。
卖家的描述
对象名:“CARPE BRUTUM”
“Raw truth does not decay.”
THE SCULPTURE
Urban Apocolyptica - Contemporary Wunderkammer
Hand-casted and hand finished concrete stone blend
H14 x W12 x L19 CM
Limited Edition // Edition of 300 Pieces
The COA is a stainless steel US military tag, signed on the back
IG: MRICHMOND.STUDIO
本产品或有疤痕和划痕,为材料及工艺固有特征。它带来大胆而富有表现力的风格,使每件作品独一无二。
Comes with a signed certificate of authenticity on stainless steel.
CONCEPT
I create sculptures that reflect the resilient and transformative forces of the fast-paced modern world and aim to slow down time. I use popular designs and objects as visual language to convey my narrative. Raw materials and a bold, industrial style invite viewers to reflect on this concept. I also encourage the audience to form their own interpretations and connections to the pieces. The physical objects are intended to transport viewers to a place where they can develop their own concepts and perspective, whether by seeing connections with their past, present, and future or simply appreciating the aesthetics. The sculptures are also a way to honor the spirit of my generation.
对象名:“CARPE BRUTUM”
“Raw truth does not decay.”
THE SCULPTURE
Urban Apocolyptica - Contemporary Wunderkammer
Hand-casted and hand finished concrete stone blend
H14 x W12 x L19 CM
Limited Edition // Edition of 300 Pieces
The COA is a stainless steel US military tag, signed on the back
IG: MRICHMOND.STUDIO
本产品或有疤痕和划痕,为材料及工艺固有特征。它带来大胆而富有表现力的风格,使每件作品独一无二。
Comes with a signed certificate of authenticity on stainless steel.
CONCEPT
I create sculptures that reflect the resilient and transformative forces of the fast-paced modern world and aim to slow down time. I use popular designs and objects as visual language to convey my narrative. Raw materials and a bold, industrial style invite viewers to reflect on this concept. I also encourage the audience to form their own interpretations and connections to the pieces. The physical objects are intended to transport viewers to a place where they can develop their own concepts and perspective, whether by seeing connections with their past, present, and future or simply appreciating the aesthetics. The sculptures are also a way to honor the spirit of my generation.

