Kunisada美人 · 江户百美 · 千住驿站 · 夜间内景 - 日本 - Edo Period (1600-1868)
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原为日本江户时代的锦绘木版画，歌川国貞创作，出自“江户名所百人美女”系列之千住驿站夜 interior， Ōban 立式版，约35×24厘米，1958 年（注：正确应为 1858）带有 aratame 与马年印，印象良好，品相 Fair。
AI辅助摘要
卖家的描述
Artist: Utagawa Kunisada I / Toyokuni III 歌川国貞・三代豊国 (1786–1865), signed Toyokuni ga 豊国画 in the toshidama cartouche; the inset landscape signed by a pupil of the studio (reading consistent with Kunihisa II 国久画)
Title: Senju 千住, from the series Edo meisho hyakunin bijo 江戸名所百人美女 ("One Hundred Beautiful Women at Famous Places in Edo") — series cartouche upper right
Technique: Nishiki-e (full-colour woodblock print) on washi
Format: Ōban tate-e, single sheet, approx. 35 × 24 cm as trimmed
Date: 1858 (Ansei 5), with aratame and horse-year date seal
Genre: Bijin-ga with meisho inset — late-Edo beauty print
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Paper & condition
Good impression with fair colours. A few minor wormholes in the margins and some trimming. Otherwise sound. Please study the images.
--------------------------------------------
About the print
Late at night in a room at Senju. A woman in a red-striped robe over a bold black-and-white Benkei-gōshi check leans down over the andon, one hand at her sash with a folded paper, about to put the lamp out; her lacquered pillow and a tobacco tray with its fire-holder and cup are already set out on the floor beside her, and she is barefoot on the green-shaded matting. Kunisada gets the whole hour of the day out of two objects and a posture — the standing lamp screening half her figure, the floor gone green in the failing light. The inset cartouche at the upper left, contributed by a pupil of the studio in the collaborative manner of this series, gives the place: Senju, the first post station on the road north out of Edo across the Sumida, and one of the four staging towns ringing the city whose inns were as famous for their women as for their beds. Edo meisho hyakunin bijo ran to a hundred designs across 1857 and 1858 and is the most sustained achievement of Kunisada's last years — each sheet pairing a woman caught in an unguarded domestic moment with a small view of the district she belongs to.
卖家故事
我已经收集日本版画很久了——从经典的浮世绘到新派绘画和创作版画。起初只是个人爱好，如今发展成更大的事业，如今我从拍卖会、画廊和遍及日本与欧洲的私人收藏中获取版画。
随着全球对日本木版画兴趣的增加，画廊的价格也在稳步上升。我的目标很简单：以合理的价格提供高质量、正品的版画。我对所售作品要求很高——我寻找的作品应该保存良好、保持摊平、且没有严重的纸泛、污渍或损坏。
我总部在德国，这意味着欧盟买家无需缴纳进口关税或税费。对于美国买家，原始艺术品在海关编码9702项同样免税。无论你身在何处，我都会用多层保护小心打包，确保你的版画安全到达。
如果你对某件作品有疑问，随时联系我。你在我的拍品中竞标获胜后，就可以获得联系我的入口。
使用Google翻译翻译Artist: Utagawa Kunisada I / Toyokuni III 歌川国貞・三代豊国 (1786–1865), signed Toyokuni ga 豊国画 in the toshidama cartouche; the inset landscape signed by a pupil of the studio (reading consistent with Kunihisa II 国久画)
Title: Senju 千住, from the series Edo meisho hyakunin bijo 江戸名所百人美女 ("One Hundred Beautiful Women at Famous Places in Edo") — series cartouche upper right
Technique: Nishiki-e (full-colour woodblock print) on washi
Format: Ōban tate-e, single sheet, approx. 35 × 24 cm as trimmed
Date: 1858 (Ansei 5), with aratame and horse-year date seal
Genre: Bijin-ga with meisho inset — late-Edo beauty print
----------------------------------------
Paper & condition
Good impression with fair colours. A few minor wormholes in the margins and some trimming. Otherwise sound. Please study the images.
--------------------------------------------
About the print
Late at night in a room at Senju. A woman in a red-striped robe over a bold black-and-white Benkei-gōshi check leans down over the andon, one hand at her sash with a folded paper, about to put the lamp out; her lacquered pillow and a tobacco tray with its fire-holder and cup are already set out on the floor beside her, and she is barefoot on the green-shaded matting. Kunisada gets the whole hour of the day out of two objects and a posture — the standing lamp screening half her figure, the floor gone green in the failing light. The inset cartouche at the upper left, contributed by a pupil of the studio in the collaborative manner of this series, gives the place: Senju, the first post station on the road north out of Edo across the Sumida, and one of the four staging towns ringing the city whose inns were as famous for their women as for their beds. Edo meisho hyakunin bijo ran to a hundred designs across 1857 and 1858 and is the most sustained achievement of Kunisada's last years — each sheet pairing a woman caught in an unguarded domestic moment with a small view of the district she belongs to.
卖家故事
我已经收集日本版画很久了——从经典的浮世绘到新派绘画和创作版画。起初只是个人爱好，如今发展成更大的事业，如今我从拍卖会、画廊和遍及日本与欧洲的私人收藏中获取版画。
随着全球对日本木版画兴趣的增加，画廊的价格也在稳步上升。我的目标很简单：以合理的价格提供高质量、正品的版画。我对所售作品要求很高——我寻找的作品应该保存良好、保持摊平、且没有严重的纸泛、污渍或损坏。
我总部在德国，这意味着欧盟买家无需缴纳进口关税或税费。对于美国买家，原始艺术品在海关编码9702项同样免税。无论你身在何处，我都会用多层保护小心打包，确保你的版画安全到达。
如果你对某件作品有疑问，随时联系我。你在我的拍品中竞标获胜后，就可以获得联系我的入口。
使用Google翻译翻译详细资料
王朝风格/时期
Edo Period (1600-1868)
原产国
日本
Attribution
Original
艺术品标题
Kunisada bijin · Edo's One Hundred Beauties · Senju post station · night interior
Condition
情况尚佳
起源
私人收藏
真伪
原始的/正式的
