编号 106091510

已售出
一件木雕作品 - Mende - 塞拉利昂  (没有保留价)
最终出价
€ 120
没有保留价
6天前

一件木雕作品 - Mende - 塞拉利昂 (没有保留价)

This Mende female figure from the Bo region of Sierra Leone belongs to the sculptural traditions associated with women’s initiation societies such as Sande and related ritual contexts. The sculpture represents an idealized female form rather than an individual portrait, emphasizing balance, serenity and social ideals of womanhood. The figure is usually carved in a calm standing or seated posture with a stable, frontal composition. The body is rendered with smooth, rounded volumes that highlight fertility and physical harmony. The facial expression tends to be composed and restrained, reinforcing the idea of inner control and dignity that is central to Mende aesthetic values. A particularly important feature in this example is the decoration with rows of colourful small beads around the neck and hips. These bead sequences are not purely ornamental but refer to initiation status and ritual identity. In Mende culture, such beadwork is closely connected to female societies and marks stages of social transformation, especially the passage into adult womanhood. The combination of wooden sculpture and bright glass beads creates a strong visual contrast that enhances the ceremonial character of the object. The hairstyle and head form are also significant. Carefully arranged coiffures in Mende sculpture symbolize cultivated beauty, social refinement and adherence to moral and cultural norms. The hands are often placed calmly on the abdomen or positioned in a controlled gesture, reinforcing the sense of balance and composure. Overall, this type of sculpture from the Bo region reflects a central Mende concept of ideal womanhood, combining fertility, discipline, beauty and social responsibility. Rather than functioning as a portrait, it operates as a visual embodiment of values taught and reinforced within women’s initiation societies, particularly in ceremonial and educational contexts. Reference list (selection) Smithsonian Institution, National Museum of African Art, Mende sculpture traditions British Museum, Sierra Leone and Mende initiation society objects Museums.eu collection records on Mende female figures and ritual usage Khan Academy, West African art and Mende cultural practices Ethnographic studies on Sande society and Mende visual culture, Sierra Leone This description was created with the help of our local informant Bakari Bouaflé and additionally with the aid of AI. Despite careful individual verification of the information provided by our informant, errors or inaccuracies may occur in the description due to the use of artificial intelligence. MAZ13523

编号 106091510

已售出
一件木雕作品 - Mende - 塞拉利昂  (没有保留价)

一件木雕作品 - Mende - 塞拉利昂 (没有保留价)

This Mende female figure from the Bo region of Sierra Leone belongs to the sculptural traditions associated with women’s initiation societies such as Sande and related ritual contexts. The sculpture represents an idealized female form rather than an individual portrait, emphasizing balance, serenity and social ideals of womanhood.

The figure is usually carved in a calm standing or seated posture with a stable, frontal composition. The body is rendered with smooth, rounded volumes that highlight fertility and physical harmony. The facial expression tends to be composed and restrained, reinforcing the idea of inner control and dignity that is central to Mende aesthetic values.

A particularly important feature in this example is the decoration with rows of colourful small beads around the neck and hips. These bead sequences are not purely ornamental but refer to initiation status and ritual identity. In Mende culture, such beadwork is closely connected to female societies and marks stages of social transformation, especially the passage into adult womanhood. The combination of wooden sculpture and bright glass beads creates a strong visual contrast that enhances the ceremonial character of the object.

The hairstyle and head form are also significant. Carefully arranged coiffures in Mende sculpture symbolize cultivated beauty, social refinement and adherence to moral and cultural norms. The hands are often placed calmly on the abdomen or positioned in a controlled gesture, reinforcing the sense of balance and composure.

Overall, this type of sculpture from the Bo region reflects a central Mende concept of ideal womanhood, combining fertility, discipline, beauty and social responsibility. Rather than functioning as a portrait, it operates as a visual embodiment of values taught and reinforced within women’s initiation societies, particularly in ceremonial and educational contexts.

Reference list (selection)
Smithsonian Institution, National Museum of African Art, Mende sculpture traditions
British Museum, Sierra Leone and Mende initiation society objects
Museums.eu collection records on Mende female figures and ritual usage
Khan Academy, West African art and Mende cultural practices
Ethnographic studies on Sande society and Mende visual culture, Sierra Leone

This description was created with the help of our local informant Bakari Bouaflé and additionally with the aid of AI. Despite careful individual verification of the information provided by our informant, errors or inaccuracies may occur in the description due to the use of artificial intelligence.

MAZ13523


最终出价
€ 120
没有保留价
Dimitri André
专家
估价  € 350 - € 430

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