Ito Kangyo - Soga-zu (Two Crows on Flowering Branch) - 水墨画 - 盒 - 日本 - 20世纪





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这幅昭和时期伊藤观鱼的纸本水墨画描绘两只乌鸦栖于花枝,署名“观鱼”并钤有朱印,附有艺术家题字木盒。
卖家的描述
Artist / School: Ito Kangyo (1877–1969) / Haiku poet, calligrapher, and painter active from the Meiji to Showa periods. Born in Nagoya, he studied under Nakamura Fusetsu.
Date of Creation: Showa period (mid-20th century)
Subject: Sōga-zu (双鸦图), “Two Crows” — an ink painting depicting two crows, classified as a bird-and-flower painting.
Dimensions (cm): Painting: 129.0 × 34.0 cm / Overall scroll: 200.0 × 48.5 cm
Materials: Sumi ink on paper
Signature and Seals: Signed “Kangyo” (観魚) with a red seal in the upper right of the painting. The wooden storage box bears inscriptions, including the title Sōga-zu (双鸦图).
Box: Accompanied by the original artist-inscribed wooden storage box (tomobako).
Condition and Restoration History: The painting and mounting show very minor age-related scuffs and discoloration. However, the ink gradations and overall mounting remain in very good condition. The scroll ends are made of wood.
Authenticity Notes: The signature and seal on the painting, as well as the artist-inscribed storage box (tomobako), have been examined. No official certificate of authenticity from a public institution or other authorized authentication body is included.
Artist / School: Ito Kangyo (1877–1969) / Haiku poet, calligrapher, and painter active from the Meiji to Showa periods. Born in Nagoya, he studied under Nakamura Fusetsu.
Date of Creation: Showa period (mid-20th century)
Subject: Sōga-zu (双鸦图), “Two Crows” — an ink painting depicting two crows, classified as a bird-and-flower painting.
Dimensions (cm): Painting: 129.0 × 34.0 cm / Overall scroll: 200.0 × 48.5 cm
Materials: Sumi ink on paper
Signature and Seals: Signed “Kangyo” (観魚) with a red seal in the upper right of the painting. The wooden storage box bears inscriptions, including the title Sōga-zu (双鸦图).
Box: Accompanied by the original artist-inscribed wooden storage box (tomobako).
Condition and Restoration History: The painting and mounting show very minor age-related scuffs and discoloration. However, the ink gradations and overall mounting remain in very good condition. The scroll ends are made of wood.
Authenticity Notes: The signature and seal on the painting, as well as the artist-inscribed storage box (tomobako), have been examined. No official certificate of authenticity from a public institution or other authorized authentication body is included.

