编号 107868389

花瓶 - 石器 - 日本 - 青瓷釉 - 京都清水焼 - Morino Kakō (1899–1987)
编号 107868389

花瓶 - 石器 - 日本 - 青瓷釉 - 京都清水焼 - Morino Kakō (1899–1987)
◆ About the Artist: Morino Kakō (1899–1987)
Born in Higashiyama, Kyoto, Morino Kakō was a distinguished ceramic artist and Japanese-style painter, also known by his art name "Heian Kakō." Initially training in traditional Japanese-style painting, he later turned to ceramics under the guidance of his father, a master Kiyomizu-yaki potter.
Mastery of Glaze & Innovation: Morino refined exceptional techniques in celadon, oxblood, salt glaze (en'yū), and green-glaze kiln-change (midori-yū yōhen), earning widespread acclaim for his sophisticated command of color and form.
Prestigious Recognition & Awards: In 1963, his celebrated salt-glazed three-legged vase won the prestigious Japan Art Academy Prize at the Nitten Exhibition—one of the highest honors in the Japanese art world.
Enduring Legacy: In his later years, he served as a councillor for Nitten and was officially honored as a Person of Cultural Merit by the City of Kyoto, leaving an indelible mark on the history of modern Japanese ceramics.
◆ Item Description
This work is a celadon-glazed "crane-neck" (tsurukubi) vase created in the tradition of Kyoto's Kiyomizu ware. The artist is Morino Kakō (1899–1987), a ceramicist and Japanese-style painter born in Higashiyama, Kyoto, also known by his art name "Heian Kakō."
The form — flowing from a slender, elongated neck into a rounded body — speaks to Morino's refined sensibility for color and form. The mouth diameter is approximately 7 cm, and the widest point of the body measures approximately 14.2 cm. The foot ring is unglazed, revealing the warm clay body beneath, and the base bears an incised mark reading "嘉光" (Kakō).
Morino initially studied Japanese-style painting before turning to ceramics, training under his father, a Kiyomizu ware potter, where he developed his skills in celadon and oxblood glazes. He became renowned for his mastery of salt glaze (en'yū) and green-glaze kiln-change (midori-yū yōhen) techniques. In 1963, he received the Japan Art Academy Prize — one of Japan's most prestigious art awards — for a salt-glazed three-legged vase submitted to the Nitten exhibition. In his later years, he served as a Nitten councillor and was named a Person of Cultural Merit by the City of Kyoto.
This work comes with a tomobako (a wooden box signed and sealed by the artist himself). 1. History of Kiyomizu-yaki (Kiyomizu Ware)
Origins & Etymology: A general term for ceramics fired in kiln workshops around the approach to Kiyomizu-dera Temple in Higashiyama Ward, Kyoto (such as Gojōzaka). It developed into a full-fledged tradition in the early Edo period.
Versatility & Advanced Craftsmanship: Rather than being bound to a single uniform style, it has evolved through the ingenuity of successive master craftsmen while inheriting the diverse techniques of overall Kyoto ceramics (Kyo-yaki), including blue-and-white (sometsuke), overglaze enamels (iroe), celadon, red enamels (akae), and Raku-ware.
Heritage & Tradition: Flourishing at the heart of Japan's cultural center in Kyoto alongside traditional arts such as the tea ceremony and flower arrangement, Kiyomizu-yaki continues to command high artistic acclaim both domestically and internationally.
◆ Dimensions
Height: 26.5 cm
Width: 13 cm
Depth: 13 cm
Weight
1,127 g
◆ Condition
The vase has no major damage and is in generally good condition. Minor signs of age-related wear and light scratching are present, but these do not significantly detract from the overall impression.
Additional Information
Artist: Morino Kakō, art name "Heian Kakō"
Place of origin: Kyoto Prefecture (Kiyomizu ware)
Material: Porcelain with celadon glaze
Provenance: Accompanied by a tomobako signed by the artist himself
NOTICE:
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