编号 107901284

已售出
拜占庭时期 黄铜色 Cross pendant, 拜占庭铜制三叶十字,罕见的圆形装饰 — 公元10世纪至13世纪 - 37 mm  (没有保留价)
最终出价
€ 43
没有保留价
1周前

拜占庭时期 黄铜色 Cross pendant, 拜占庭铜制三叶十字,罕见的圆形装饰 — 公元10世纪至13世纪 - 37 mm (没有保留价)

An expressive Byzantine bronze pectoral cross, decorated with an unusual composition of raised concentric circles and distinctive trefoil-shaped terminals. The most remarkable feature of this example is the harmonious combination of its elaborate silhouette and geometric ornamentation. Each arm of the cross terminates in three rounded projections, while the surface is decorated with small circular motifs, creating a rhythmic and visually striking composition. Measuring 37 × 30 mm and weighing just 3.8 grams, the cross displays elegant proportions and a distinctive medieval appearance. The Trefoil Cross — A Symbol of the Holy Trinity One of the most fascinating features of this pendant is the shape of its terminals, resembling a three-leaf clover or trefoil. In Christian artistic tradition, threefold forms have often been associated with the Holy Trinity — the Father, the Son, and the Holy Spirit. Similar decorative terminals are known from medieval Christian art and can be found on crosses, ecclesiastical objects, and religious jewellery. On the present example, the trefoil-shaped terminals give the cross its distinctive silhouette while emphasizing the symmetry of the design. Although such a symbolic interpretation is possible, the precise meaning of this particular object's shape has not been independently established. Circular Ornamentation — Geometry and Spiritual Symbolism The surface of the cross is decorated with numerous raised concentric circular motifs, arranged along both the vertical and horizontal arms. The circle is one of the oldest geometric motifs used in the decorative arts of many civilizations. Within Christian symbolism, the circle could represent eternity, perfection, and the infinite nature of the divine. However, similar circular patterns could also serve a purely decorative purpose. On this cross, the circular elements create a distinctive rhythmic arrangement, emphasizing the central section and the expanded terminals of the arms. Byzantine Art and Personal Religious Jewellery In the Byzantine Empire, small pectoral crosses formed an important part of Christian religious culture. They were worn close to the body, carried during journeys, and treasured as personal expressions of faith and devotion. Bronze crosses were accessible to a broader section of society than objects made of gold or silver. Nevertheless, even relatively modest examples could display sophisticated shapes and original decorative designs. The present cross is particularly appealing for its combination of compact dimensions, expressive silhouette, and carefully arranged circular ornamentation. Condition The cross retains an attractive aged surface with an uneven greenish-brown patina, natural darkening, and visible traces of time. The raised circular decorative elements remain clearly distinguishable. Surface irregularities, areas of wear, and age-related marks are present. The suspension loop is preserved, and the overall shape of the cross remains intact. Specifications Culture: Byzantine Artistic Tradition Proposed Dating: 10th–13th century AD Type: Pectoral cross pendant Material: Bronze Shape: Cross with trefoil-shaped terminals Decoration: Raised concentric circular motifs Dimensions: 37 × 30 mm Weight: 3.8 g Special Features: Symmetrical composition with circular ornamentation and preserved suspension loop Condition: Patinated surface with traces of age and wear; clearly visible decorative details Provenance: Acquired on the European antiquities market. Shipping: European Union only. The Geometry of Eternity — A Small Cross with a Great History In medieval Christian art, even the smallest personal ornaments could combine the simplicity of their materials with a sophisticated artistic vision. The trefoil-shaped terminals, rhythmic circular motifs, and harmonious symmetry create a composition that remains visually captivating today. For its medieval owner, such a cross may have been far more than a decorative accessory. It could have served as a constant reminder of faith, hope, and divine protection. These small personal objects provide a fascinating connection to the spiritual traditions of the medieval world, where craftsmanship and religious symbolism were closely intertwined. A distinctive 3.8 g Byzantine-style bronze cross with unusual circular ornamentation and elegant trefoil-shaped terminals — an attractive addition to a collection of medieval Christian jewellery, Byzantine antiquities, and historical religious artefacts.

编号 107901284

已售出
拜占庭时期 黄铜色 Cross pendant, 拜占庭铜制三叶十字,罕见的圆形装饰 — 公元10世纪至13世纪 - 37 mm  (没有保留价)

拜占庭时期 黄铜色 Cross pendant, 拜占庭铜制三叶十字,罕见的圆形装饰 — 公元10世纪至13世纪 - 37 mm (没有保留价)

An expressive Byzantine bronze pectoral cross, decorated with an unusual composition of raised concentric circles and distinctive trefoil-shaped terminals.

The most remarkable feature of this example is the harmonious combination of its elaborate silhouette and geometric ornamentation. Each arm of the cross terminates in three rounded projections, while the surface is decorated with small circular motifs, creating a rhythmic and visually striking composition.

Measuring 37 × 30 mm and weighing just 3.8 grams, the cross displays elegant proportions and a distinctive medieval appearance.

The Trefoil Cross — A Symbol of the Holy Trinity

One of the most fascinating features of this pendant is the shape of its terminals, resembling a three-leaf clover or trefoil.

In Christian artistic tradition, threefold forms have often been associated with the Holy Trinity — the Father, the Son, and the Holy Spirit.

Similar decorative terminals are known from medieval Christian art and can be found on crosses, ecclesiastical objects, and religious jewellery.

On the present example, the trefoil-shaped terminals give the cross its distinctive silhouette while emphasizing the symmetry of the design.

Although such a symbolic interpretation is possible, the precise meaning of this particular object's shape has not been independently established.

Circular Ornamentation — Geometry and Spiritual Symbolism

The surface of the cross is decorated with numerous raised concentric circular motifs, arranged along both the vertical and horizontal arms.

The circle is one of the oldest geometric motifs used in the decorative arts of many civilizations.

Within Christian symbolism, the circle could represent eternity, perfection, and the infinite nature of the divine.

However, similar circular patterns could also serve a purely decorative purpose.

On this cross, the circular elements create a distinctive rhythmic arrangement, emphasizing the central section and the expanded terminals of the arms.

Byzantine Art and Personal Religious Jewellery

In the Byzantine Empire, small pectoral crosses formed an important part of Christian religious culture.

They were worn close to the body, carried during journeys, and treasured as personal expressions of faith and devotion.

Bronze crosses were accessible to a broader section of society than objects made of gold or silver. Nevertheless, even relatively modest examples could display sophisticated shapes and original decorative designs.

The present cross is particularly appealing for its combination of compact dimensions, expressive silhouette, and carefully arranged circular ornamentation.

Condition

The cross retains an attractive aged surface with an uneven greenish-brown patina, natural darkening, and visible traces of time.

The raised circular decorative elements remain clearly distinguishable. Surface irregularities, areas of wear, and age-related marks are present.

The suspension loop is preserved, and the overall shape of the cross remains intact.

Specifications

Culture: Byzantine Artistic Tradition
Proposed Dating: 10th–13th century AD
Type: Pectoral cross pendant
Material: Bronze
Shape: Cross with trefoil-shaped terminals
Decoration: Raised concentric circular motifs
Dimensions: 37 × 30 mm
Weight: 3.8 g
Special Features: Symmetrical composition with circular ornamentation and preserved suspension loop
Condition: Patinated surface with traces of age and wear; clearly visible decorative details

Provenance:
Acquired on the European antiquities market.

Shipping:
European Union only.

The Geometry of Eternity — A Small Cross with a Great History

In medieval Christian art, even the smallest personal ornaments could combine the simplicity of their materials with a sophisticated artistic vision.

The trefoil-shaped terminals, rhythmic circular motifs, and harmonious symmetry create a composition that remains visually captivating today.

For its medieval owner, such a cross may have been far more than a decorative accessory. It could have served as a constant reminder of faith, hope, and divine protection.

These small personal objects provide a fascinating connection to the spiritual traditions of the medieval world, where craftsmanship and religious symbolism were closely intertwined.

A distinctive 3.8 g Byzantine-style bronze cross with unusual circular ornamentation and elegant trefoil-shaped terminals — an attractive addition to a collection of medieval Christian jewellery, Byzantine antiquities, and historical religious artefacts.

最终出价
€ 43
没有保留价

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